Wednesday, August 24, 2011

SEYMOUR DUNCAN JB

Hey all! Today I decided to review one of the most popular humbucker replacement pickup on the market. It's made by Seymour Duncan and it's called Seymour Duncan JB(Jeff Beck). This pickup is one of the earliest medium-high output pickup that's available in the market.

The sound
The sound that I'm getting out of this relatively high output pickup is very bright and happy, much like the original PAF of a Les Paul. It does not get bass-y, it does not punch you with too much mid, it stays clear on a highly driven channel and it somehow has some unique treble-ish sound, much like a single coil.

On the bridge
I installed mine on the bridge. I got the 7 string model by the way, because I currently don't have any 6 string guitar left for modification. I put this pup on an RG7321 that originally has AH pickups by Ibanez that's totally muddy and way too hot to control. I put a DiMarzio PAF 7 on the neck to balance this med-high output pup.

I really like this pickup, it shines very well and cut through the mix nicely even with high gain amp. Roll back the tone knob a little bit and you get a more defined mid frequencies and less harsh treble. Play some palm-muted riffs on my seven string, it sounds great! The chops are very clear, very pronounced and retains the original sound of the pickup. Drive this pickup as hard as you can, then roll back the volume pot and you'll get your sweet spot immediately, sparkle clear dirty-clean tone with some extra punch.

So far so good..
One thing that I hate from this pickup is the treble level that can be too dangerous especially when you crank up everything on your signal path. That's why you need a tone knob for this pickup. It'll be your best friend when you want to control the sound of this pickup. Other than that, I'm quite happy with this pickup!

Beware, this is not meant to be a high-gain friendly pickup. It's designed to give you more dynamics on your sound, not to compress and further drive your amp. I'm happy with it because it suits well with mid-gain type of guitar music. If you plan to play heavy metal music with this pup, you better be prepared. It doesn't mean it's a bad pickup for metal music, but you have to know how to control the pup properly. See my previous post about pickups for more explanation.

Worth the money?
Yessss!! For $80.00, this thing upgrades the sound of your guitar with some added clarity.

From 0 to 10?
What can I say? 10.

Hope you enjoy this review, sound clip coming soon!
Cheers and God bless :)

Monday, August 22, 2011

FENDER STRATOCASTER


Hi all! Sorry for the lack of update last week. I decided to review a Fender Stratocaster that belongs to my friend Anthony Woen.

To get started, I actually don't really know what kind of Fender Stratocaster is this. Might be Mexico, might be Japanese, might be American, might be something else. I couldn't find the serial number of the Strat :(

Well, it does look great, just like what a strat should look like. It does sound great too! This guitar really shines when I switched to the neck pickup. All the signature maple neck alder body sound came out nicely on this guitar. Bright, enough power to cut through the mix, excellent when paired with a clean amp or a mid-gain vintage style amp.

Plugged this guitar to my Tube Screamer on a clean channel and add some delays and reverb, roll back the volume knob a little bit and play some soft lead lick and it really shines pretty well. Get it dry with a touch of a compressor on the clean channel and play some funk rhythm, you'll get that strat-y sound we all want!



The single coils are pretty standard, nothing special. They are not noiseless so you'll get that 60-cycle hum when you add some gain. The pickup is pretty low output but when you get it pretty close to the strings, it'll start to get hotter. Not too close though, you'll distort your signal badly on a clean channel.
The only thing that bugs me is the fact that the previous owner re-wire the pups so that the mid tone pot becomes the volume pot for the mid pick up. Maybe he/she wanted to emulate a kill-switch by modifying the guitar that way.

I don't really know what kind of Strat is this. It sounds good though although there are some major things going on with the wiring and some other stuffs. The trem is definitely not the regular Strat trem. The decal is also a bit too large for a Strat's head stock. But really, those facts don't bother me too much because it sounds just nice!

Here are some sound clips:
Dry Tube Screamer: CLICK HERE
Clean delay: CLICK HERE
Crunch rhythm: CLICK HERE
Lead Tube Screamer with double delays and reverb: CLICK HERE

Here are some more pictures !




























Hope you guys enjoy this post!

Cheers and God bless :)

Tuesday, August 16, 2011

DUNLOP JAZZ III 1.68mm STIFFO VS DUNLOP TORTEX .88mm

It's time to discuss about some picks that I used and compare them. Pick/plectrum is the most underrated tool in tone chasing and they can alter your tone significantly when you use the right pick. I'm going to review two of my longest serving picks: Dunlop Jazz III Stiffo and Dunlop Tortex .88mm.

Jazz III
This is by far the most shred-friendly pick that I ever used. So easy to play fast with, so stiff that it transfers your picking energy to the string with lots of dynamics. When used on alternate picking licks, it will create short picking noise so this is very great to get the notes to ring clearly.

This one is used by many professionals especially shredders and jazz players. John Petrucci and Eric Johnson even had their own signature Jazz III picks. I personally used this pick most of the time because it's the most versatile one; you can play anything with this pick. It's thick so don't expect to get easy rhythm playing from this pick. It's also small and a bit slippery so do your best to grip it carefully.

Tortex .88mm
For you who don't really need a shred-based pick, this is a good choice. It's good for rhythm playing because it isn't too thick and too small, it has good grip, it's comfortable on your fingers and it has unique tone.

I watched Paul Gilbert used the orange Tortex which is not too different from this one and he can get a very good tone out of it. It's kind of mushy un-traditional pick sound. It's very good for strat because you can get more top end using this pick.

Beware, you can't really shred with this pick. I gave up on this pick because it's hard to alternate picking using this pick. It's also big so it requires harder string pluck to get a pinch harmonic using thumb; that's why I invented the method of getting a pinch harmonic using my middle finger haha! However, I get back to this pick frequently just to get something different out of my playing and this pick delivers a fresh unique tone very well.

Now let the fight begins!
Here's a sound clip of Jazz III vs Tortex on clean rhythm playing: click HERE --> Jazz III first followed by Tortex.

Here's a sound clip of Jazz III vs Tortex on crunch lead playing: click HERE --> Jazz III first followed by Tortex.

I must say that I love the sound of the Tortex when I scratch it on my muted strings! It really has a very defined attack that I am looking for. It's also good for rhythm. However, it's not easy to tame that green monster especially when I need to play fast lead solos. That's the time when I need to switch back to the Jazz III.

In conclusion, both are great but they really depend on what you want and how you play. The choice is yours!

Cheers and God bless :)

Monday, August 15, 2011

MXR CARBON COPY DELAY M169

I tested this guy on a real gig just this evening on my church and I have tons of things to say but I'll keep it as short as possible. Enjoy my review :)

Another delay pedal?
Yes. To be more exact: another true analog delay pedal with true bypass. Remember my Electro Harmonix Memory Boy review last month? Well, this is actually kind of similar like that.

This thing packs lots of features in a relatively small foot print. It's very easy to use and it has the same size as your nano-sized EHX pedals. The regen knob is for the feedback time, mix is for dry vs wet and of course delay knob is for the delay time. It has a modulation switch that turns on chorus-like effect on the repeats to emulate the famous tape echo effect. This thing is not 100% true bypass by the way, it has what they call a hard-wired bypass. I don't know what it is, but this doesn't seem to suck a very significant amount of tone so it's still better compared to a Boss or Ibanez pedal.

So what sets this thing apart from other analog delay pedals?
The delay time can reach a maximum time of around 600ms, that's long enough for me. The warmth of the repeats also has some unique characteristics that doesn't appear in any other pedal. It's hard to describe what I heard from this pedal, but trust me, this thing is good.

So far so good...
Please note, however, that this pedal is a very straight forward delay pedal. It will do basic analog delay functions, it doesn't do fancy stuffs, it doesn't have expression pedal output, it doesn't have stereo capability, no multi output, no fancy switching.

I personally use this pedal together for long-delay sound around 500ms. It works well combined with other delay pedals and it's quiet enough so that it doesn't create noises or anything. I switch to this pedal mostly during lead guitar parts and it does a great job on getting the repeats to blend together with the notes as long as you set the knobs carefully.

The obvious: is it worth?
Absolutely! Well, it's a bit pricier than a Memory Boy frankly speaking, but still, for this kind of price you get something very good. It sounds just nice, works very well as an analog delay pedal. You can get this pedal for around $140.00 more or less.

From 0 to 10?
I'll give this pedal a 9.5! Could be better if it's cheaper of course, and also I haven't really tweak the internal trim pots for modulation range and depth. I'll get back with more info once I tweak those pots!

Sound clip: click HERE --> dry, wet no modulation, wet with modulation, combined with Memory Boy and Holy Grail Reverb. I used a tube screamer on all sounds to add a bit of top end chunk.

Update: The internal trim pots for the width and speed of the modulation doesn't really change the sound that much since as you can hear on my sound clip that the modulation is too narrow and hard to hear. Nonetheless, without the modulation it already sounds great. Still 9.5....

Cheers and God bless :)

p.s: I will post a discussion about Memory Boy vs Carbon Copy soon

Sunday, August 14, 2011

MORE POSTS ON THE WAY, STAY TUNED

I apologize for the lack of update :( been busy with many things.

Anyway, here's a quick preview of future posts. Remember about the future posts list that I made days ago? Here's the addition to that:
- MXR Carbon Copy Analog Delay
- Memory Boy vs Carbon Copy
- Carbon Copy vs Boss DD-7
- Picks
- TC Electronics Nova Delay

I'll add more soon !

Stay tuned, keep checking out my recent and old posts and hopefully you'll gain something from them. Thank you :)

Cheers and God bless :)

Tuesday, August 9, 2011

ALL ABOUT PICKUPS

Today I decided to talk about pickup. Yes, everything about pickup, especially on how they function overall. Keep in mind, this is mostly my personal opinion, don't consider my post to be the most correct one, but I'll try my best to provide the best information for you as far as I can.

Introduction to PICKUP101

Here's a short lecture about how pickup works. A pickup is an electronic device that captures the sound of the string of a guitar. It's generally an inductor: a certain length of wire being wrapped into a coil with a magnet on the center of the wrap(imagine a roll-type sushi :p). It has electro-magnetic properties that enables it to capture the string vibration(that also has electro-magnetic properties). When a string vibrates, it disturbs the electro-magnetic field property on the area and this disturbance is being carried by the pickup as a current to the entire signal chain until it ends on the amplifier or PA or whatever is the last destination of the signal path and turns that current into sound.

Pickup comes in different flavors
Just like an ice cream! In terms of coil size: single coil and dual coil(humbucker). In terms of output level: vintage or low, medium, high. In terms of form: the usual coil pickup and the not-so-usual acoustic piezo. In terms of external power requirement: passive and active. And so on, there goes the list.

In depth discussion of coil size
Let's start with the coil size explanation. Single coil pickup usually has a lower output compared to a humbucking pickup. It can create a more acoustic-like tone with some high end clarity that doesn't come out when you're using a humbucker pickup. However, you'll usually get a 60-cycle hum when you use a single coil pickup: that's why people created humbucker pickup. A humbucker pickup doesn't usually have that sparkly high end clarity and acoustic-like tone, but it has a very warm response and will generate a fatter tone compared to single coil.

A humbucker pickup will easily drive the amp faster compared to a single coil pickup because of its relatively high output. A single coil will clean up saturated amp better compared to a humbucker due to low output. A humbucker pickup will easily get muddy because of it's extra warmness, a single coil pickup will easily get harsh on the highs due to its high treble power.

Output level mythbuster: High Output vs Low Output
Now let's talk about how different pickup output levels function on different situations. A vintage(low) output pickup has less wiring turns, weaker magnet and of course weaker sound. A high output pickup has more wiring, stronger magnet and of course higher output that will drive an amp easier toward its saturation level.

Lots of people think that high output pickup is the best. That's not always the case by the way. A high output pickup is very prone of string pull that causes less sustain; it has more wire turns so it has more resistance thus creates muddiness; it has a very high output so you can never get a clean tone out of it without roll-backing the volume knob.

It seemed that high-gain pickup replacement is very popular nowadays with the increasing interest in metal and hard rock music. People with that interest will usually fall into the trick that higher output means better. Well, low output pickup can also do a good job or even sometimes better job at driving an amp into saturation with more definition and clarity although probably less gain compared to a high output pickup. This will help the lower output pickup to easily cut through the mix and sound better during a live performance or a gig.

However, low output pickup doesn't always mean the best. When a single coil pickup is plugged straight into a super clean amp, it definitely has more dynamics which means it follows how hard or how soft you pick the string. Although this is good for some type of music, this can cause some problem especially during recording because you get different output response for different string picking power. But that's easily solvable with a compressor unit; nonetheless, this only happens only when you play on a clean setting.

Active vs Passive pickups
Active pickup: requires battery or external power to operate....Arghh, this one is pretty tough to explain! There's no right or wrong here, an active pickup can bring lots of possibilities to achieve certain tonal range that's not reachable with a passive pickup. Some artists swear that they can get a better clean sound using an active pickup, some even swear that an active pickup help them get better and consistent high-gain sound.

But really, it all depends on how good is the pickup. A low quality active pickup will result in super muddy tone with very low sustain and too much gain. I don't have too much experience with an active pickup but basically even a good active pickup doesn't have the same dynamic that can be achieved through a passive pickup.

So if you need more consistencies rather than dynamics, I think active pickup is the only way to go. Get a good one and you'll deal less with muddiness and all the bad stuffs there. I personally still prefer a passive pickup because the type of music that I play requires wide range of dynamics.

Pickup positions
Let's say I have one pickup and I'm now deciding to put it either on the neck, middle or bridge position. If I put it on the neck, it'll have the highest output level, but with the highest amount of muddiness. Put it on the middle, it'll be bright and glassy; put it on the bridge, it'll be very bright but it'll lose a lot of output level.

That's why people recommend higher output pickup on the bridge and lower output pickup on the neck and middle. This theory is not always true, I mean you can always put pickups of different output level to whatever position you like, but with this kind of setup, you'll get a leveled output level from all position which is good for sound volume consistencies.

I personally like a single coil on the neck, you'll get the best tone ever with a little bit sacrifice on playability. I also like a full size humbucker on the bridge to level out the power of the neck pickup. I don't really care about the middle pickup but as long as I have a single coil in the middle pickup, I'll survive.

Go check out some good pickup manufacturers
Seymour Duncan, DiMarzio, Fender, EMG, Fishman, etc...I personally use lots of DiMarzio pickups, I'm also about to put a Seymour Duncan into one of my existing guitar. I'll post more stuffs once I got that Duncan into its place haha!

Cheers and God bless :)

Monday, August 8, 2011

RC BOOSTER

Yes, it's finally here in the blog! The ultimate clean boost machine is now available for reviewing. After spending some time with this pedal, I'm finally able to share some cool stuffs that this pedal has to offer.

Xotic Tremendous Trio
First, let me explain the concept of Tremendous Trio by Xotic. The Tremendous Trio are actually three booster/overdrive pedals that Xotic has to offer: BB Preamp, AC Booster and RC Booster. You may wonder, what's the difference between the tree? They are all almost identical, they have similar control knobs and they're all booster pedals.

Well, they are in fact very different...
... in terms of gain level, sound characteristic and function. A cranked up RC booster will sound like a near-breakup vintage tube amp on a clean channel while an AC booster will deliver Tube Screamer like quality with more warmness; as we already know, BB preamp has the highest gain and can really drive an amp into a high saturation level. In terms of sound characteristic: RC booster is clean and smooth, AC booster is somewhat more mid-scooped compared to a TS and BB preamp have the most amount of warmness compared to the others.

RC Booster in more detail
I said above that RC Booster is clean and smooth: it's not just clean, it's TRANSPARENT. That means, you can use it as a clean boost to increase your volume level without adding gain or altering your tone. You can add some bass or treble depending on what you want but you can really keep your original tone as it is. This is very useful for a clean lead tone where you need extra volume boost.

Personally, I use the RC Booster only on the clean channel. When I tried to use it on an already overdriven amp, I can't really get a volume boost and I don't really need to get extra gain out of it. I once tried to use this as a tone modifier to make my single coil sounds warmer and it did a great job on doing that. Well, there's actually many ways that you can use this pedal to suit your needs. Leave it on all the time with minimum amount of gain and added level increase, it will help to bring out your long-cable-degraded tone back to life while boosting your tone.

Please remember
This won't give you a massive amount of distortion as I mentioned before, so don't really expect this pedal to work on a high-gain situation although it will still surely provide something useful in that case. This also doesn't work as a compressor although it can boost your output and add some sustain. Don't get disappointed when it doesn't provide you with enough gain and massive amount of compression, it's not really what it's designed for. Remember that there are AC Booster and BB Preamp that provide more compression and more gain compared to this baby.

Is it worth?
Current retail price of around $170.00, it's an expensive pedal for sure. But for its true bypass capability, boutique quality, tone enhancement features and unique functions, I would say that this thing worth every penny. Clean boost and tone enhancer is not really something that you may want, but give this pedal a try and you'll surely know why Xotic made this pedal.

From 0 to 10?
9.5. Cheaper price can bring it to 10 for sure. Xotic is a very expensive boutique pedal maker, but for a price this high you'll get something with a very high quality.

Sound clip: CLICK HERE, first original signal then RC booster with minimum gain maximum volume, and then RC booster maximum gain and volume, I backed off the treble a little bit by the way.

Cheers and God bless :)


Friday, August 5, 2011

MEMORY MAN VERSUS MEMORY BOY



I just got a chance yesterday morning to mess around in my local Guitar Center and compare side by side a Deluxe Memory Man and a Memory Boy. Man, this is the greatest delay pedals comparison that I've ever done. Sorry, there will be no audio clip available for this comparison since I don't have a chance to have the Memory Man in my home for recording.

Let's start with the Man
It has extra Level knob to adjust the output of the pedal which is great. It also has two options of output: one for direct output, one for FX out. This is great since you can use both output for stereo kind of effect to get the dry vs wet signal to whatever configuration you like.

The sound that I'm getting is actually pretty subtle, nothing too dramatic or surprising. The knobs aren't as sensitive as the Boy, but this one is fine tuned for perfection. I can see why the price range is pretty high, this pedal is meant to last forever and there is indeed some feeling that the pedal naturally adds warmness to your signal.

That's the best 10 minutes I've ever had while testing this pedal. I didn't use anything fantastic: just a cheap Ibanez Artcore guitar plugged straight here onto the amp. The delay sound is very very classic, you can easily nail anything with this pedal. Furthermore, the chorus effect offers a very subtle slightly out-of-tune repeats that don't get too far; that's good since you don't want people to think that you're out of tune. This pedal also has slightly longer delay time compared to the Memory Boy.

I don't really have anything to complain from this pedal except that it's BIG, almost the size of a Memory Boy combined with a Memory Toy. Price range around $320.00. From 0 to 10, I give this one a 10 ! It's worth every penny you spent

How does the Boy compare to the Man?
To be honest with you all, after I compared this baby to the Man, I have to say that this is actually VERY CLOSE to the Memory Man. Really, if you're looking for something more basic that has the same power as the Man, this is what you're looking for. What are lacking from this pedal:
- Output Level adjustment
- Multi output option
- Overly sensitive knobs(especially the chorus depth knob...compared to the Man)
- Not so natural added warmness(I'll explain more)

What I mean by not-so-natural warmness
The pedal doesn't have output level adjustment, so it adds the most amount of warmness that you can get without the ability to reduce it at all. This is good enough for me, but keep in mind that when you turn on the pedal, there's gonna be a slight increase of volume(that doesn't necessarily alter your tone besides added warmth). It's not artificial though, the internal construction of the pedal is based on full analog circuitry.

Therefore, I can surely says that the Memory Boy now gets a 10 out of 10 for it's ability to almost match the Memory Man. Well, actually if I may add, the price of the Memory Boy is a bit "steal" for something this good, but if you want something more between the Boy and the Man, there's a Deluxe Memory Boy with Tap Tempo adjustment, just in case you want more flexibility of setting the delay time.

Good job EHX for making this great pedal at a very cheap price. Surely this one beats everything on its price range!!

Cheers and God bless :)


MORLEY VOLUME PLUS


First of all, pardon me for the lack of update for these couple of days. Good news: I got my new pedalboard and everything is installed together and it's ready for audio recording. Just need to find some time to record A/B comparisons of using pedal and no pedal.

Transparent volume pedal
At this opportunity I'll review a Morley Volume Plus pedal. Before I even do that, let me first say that my volume pedal hunting doesn't go so well. As we all know, most volume pedal uses potentiometer that causes signal degradation due to increased resistance of the overall signal on your signal chain. That's TONE SUCKING basically. Well, this pedal isn't sucking any of your tone(or almost not sucking tone, I can't really hear the difference!).

Instead of using a potentiometer, this pedal uses optical sensor or something like that. This is great because a pot will eventually wear out and need to be replaced besides its nature of being a tone sucking factor. Thus, using the optical sensor makes this pedal a reasonably transparent volume pedal. I'm trying to A/B with and without pedal and see how much tone sucking is going on: I can't tell haha !

Swelling action
Although the volume pedal is transparent, it isn't really good for accurate volume swelling due to the fact that the rocker's angle isn't too wide. However, there's a switch on the bottom right of the pedal that actually turns on the "minimum volume" adjustment with the knob on the bottom left to adjust the minimum volume that you want as you put the rocker to its lowest position. This will help you get a more precised swelling or even do a rhythm/lead switch by moving the rocker.

Nonetheless, the mechanic moving part of the pedal is smooth enough so you can get that friction-free movement when you use this pedal. I'm still trying to figure out how to adjust the rocker's tension so that I can have it a little bit harder.

Built quality
The casing is very good, the battery compartment is easy to access, nothing really to complain except for two things:
- The size of this pedal will eat a lot of space on your pedal board. This thing is so huge, it has the same size of three small-sized MXR pedals combined together. Yikes !!
- You can't really "stand" on the rocker. What I mean is you can't literally put your foot on top of the rocker and kind of put your body weight above this pedal. It doesn't really have that strong feeling like when you stand on top of a wah pedal.

Is it worth?
Usual price is $90.00. It's totally worth! It's on the same price range of the other volume pedals.

From 0 to 10
I give this pedal an 8.9. It needs to have smaller footprint and stronger metal enclosure. But actually that's a bit too harsh, I can still give this pedal a 9.5 to be honest for its transparency.

Cheers and God bless :)


Tuesday, August 2, 2011

MORE GREAT PEDALS ON THE WAY

I just got some news that there are some good new pedals waiting to be tested, right now I'm currently still on the airport waiting to get back to my "hometown" haha!

Sorry for the lack of update yesterday, but I hope you can still enjoy some of my older posts.

Here's a quick list of what's gonna be uploaded into the post:
- Morley Volume Pedal
- Xotic RC Booster
- Some random digital delay
- Possibly a new chorus pedal
- Dyna Comp by MXR(the regular one)
- Some new pickups(gonna need some time to install them, so this won't be uploaded quickly)

Here's some possible discussion about tone that I'll post as well:
- Low output vs high output pickups
- True bypass mythbuster
- Cables
- Possibly a review of my gonna-be-modded 7 string

Thank you very much for keep checking my blog to all of you who made it here. I'll hope you find what you're looking for here, otherwise enjoy my posts :)

Cheers and God bless :)

Monday, August 1, 2011

GUITAR ARTISTS WITH GREAT TONE PT.III

Finally, the last part of "Guitar Artists with Great Tone" post! Hopefully you already made some guesses on the artist that I will mention on this post.

I won't mention his name, but I'll mention some interesting facts about him.

He uses mainly Stratocasters.
He's from Austin, Texas.
He's 56 years old.
He had his own Signature Strat.
He uses Fender and Marshall amps mostly.

Any guesses? I'll give you some more hints:

He played an old ES-335 and Les Paul as well.
He suffered from a tone OCD.
He sometimes sings.

Is it clear now?

Anyway, our latest guitar artist with the greatest tone(in my opinion, of course) is
....(drum roll)....

Eric Johnson (applause)
In my opinion, he's the man with the tone and feel. He adapt his playing closely to his tone. He's surely not a shredder but his melody lines are pretty good and difficult to play.

He uses mainly his signature Fender Stratocaster which is based on early Stratocaster during the '50s and '60s. The newer signature Eric Johnson has rosewood fingerboard with modified pickups. His amps are Marshall Plexi 50/100W and Fender Twin Reverb. He's a very big fan of '70s Echoplex tape echo. He uses Tube Screamer and Dallas Arbiter Fuzz Face as well as Deluxe Memory Man.

He has three main sounds: clean rhythm, a bit dirty rhythm and a full lead tone. His clean sound is sometimes boosted with a Dyna Comp. It's the cleanest clean sound ever with a very rich harmonics with little bit of delay and chorus; it's based on Fender amp. His rhythm tone is a classic Stevie Ray Vaughan type of sound with the help of Fender amp combined with additional gain box such as TS, very glassy and bluesy and very good for chord works. His lead tone is based on Eric Clapton's Cream-era lead tone that comes mainly from an overdriven Marshall Plexi amp and sometimes together with the Fuzz Face.

This guy really shapes his playing to suit his tone. He has a very good chording technique with some hybrid picking involved. Also he is very good with arpeggiated lead notes. Most of the time he involves some jazz licks together with blues based scale. Very non-traditional playing with influences ranging from Hendrix to SRV.

He's famous for his "tone OCD". He tweaks his gears frequently just to get the right tone. His perception of tone is very high above the standard and that results in amazing smooth fat warm tone that is really the best in my opinion compared to any other guitar artists.

Definitely check out his classic "Ah Via Musicom" album and his newest recording "Up Close" and listen to some of his songs to experience the best guitar tone ever recorded. Not just the tone, the fingers are also great on those albums, some songs are hard to nail!!

I hope you enjoy this post as much as I do and I hope that you can gain some knowledge from these series of discussion post. I will come up with more discussion post along with more review of some cool vintage-y guitar gears :)

Cheers and God bless :)