Showing posts with label humbucker. Show all posts
Showing posts with label humbucker. Show all posts

Sunday, April 22, 2012

DIMARZIO AREA SOLDERLESS PICKGUARD

Hello everyone, today I'm going to post a review of DiMarzio Area pickups that I recently installed on my MIM Stratocaster. They're being sold in a package called "Solderless Area Pickguard" complete with all the potentiometers and proper wiring(2nd tone knob goes to bridge pickup). The installation only took me 6 minutes, it does not require solder, you will only need a wire cutter and a pair of scissors to strip the wires. On the pickguard itself, there are 3 pickups already installed in a conventional SSS configuration: Area 58, Area 67 and Area 61. DiMarzio claims that these pickups are the best hum-free rendition of the original '50-'60 era Stratocaster.

Sound
Right away after installing the solderless pickguard, I put a fresh set of strings and immediately plug the guitar to my amp and start playing. My first reaction is the guitar seemed to reached a new level of dynamic and clarity. I've had lots of DiMarzios on my guitars but these ones are different from them. Compared to my Virtual Vintage Heavy Blues 2, these pickups sound softer, brighter and cleaner. You can get the famous Stratocaster clicky percussive sound using these pickups easily.

On an overdrive channel, the pickups seemed to retain its cleaner quality. On the neck and middle combined(58 and 67), you can hear very clear the original characteristic of the tone, even with generous amount of overdrive. The bridge (61) gets a bit harsh on higher register, but once you roll down the tone knob a bit, you'll get a very thick, warm and punchy sound from it. Add more overdrive and get the tone knob to around 3 or 4, you'll get a tone that's in fact sound so much like a full size humbucker.

Is this the right pickup for me?
If you play a Stratocaster and you've been struggling to get a good noise free pickups that retain the original qualities of vintage single coils, then these pickups are for you. Once again, they're not the most powerful single coils, but they're a tiny bit hotter than regular Strat pickups. Moreover, they had less magnetic pull compared to your average Stratocaster pickups; hence, you'll get more sustain.

If you're a humbucker guy, these pickups might be worth exploring. Although I never tried the original '50s and '60s Stratocaster pickups, I can easily say that these pickups changed my life. I was once a humbucker guy, believing that achieving good tone can only be done using humbucker; now I'm quite happy with my single coils because they can nail almost everything.

However, keep in mind that single coils are not meant for ultra high gain modern lead drive tone. No matter how good they are, humbucker is still better for ultra high gain; except for some single coil sized humbucker replacement.

Here are some sound clips:
Neck Dirty
Neck Clean
Neck and Middle
Middle and Bridge
Bridge Clean
Bridge Dirty 1
Bridge Dirty 2

I hope you enjoy this post, stay tune for more posts!

Cheers and God Bless :)

Friday, January 6, 2012

DIMARZIO VIRTUAL VINTAGE HEAVY BLUES 2, AIR ZONE AND TEXMEX

Hello everyone, I am going to share some sound clips of my newly installed pickups on my Strat. I hope you will enjoy these clips and make good use of them. Some notes first: the Virtual Vintage Heavy Blues 2 does scream in high gain pretty well but I didn't have time to capture it. I'll try to get the recording next time.

On the other hand, Air Zone definitely sounds fantastic! It doesn't sound similar to any other DiMarzio humbuckers I've tried, this is very unique. It's not a total screamer, it doesn't make your sound muddy, it has definition and good pick attack. I really like it, it's very versatile.

The combination of the VVHB2 and the standard TexMex is very amazing! I can get a very funky clean tone out of the combination and it really works very well!

Here are the clips:
VVHB2: Clean wet, Jazz comping, Dirty
VVHB2+TexMex: Funk
TexMex+AirZone: Funk
AirZone: Clean, Dirty

Hope you enjoy!
Cheers and God Bless :)

Tuesday, August 9, 2011

ALL ABOUT PICKUPS

Today I decided to talk about pickup. Yes, everything about pickup, especially on how they function overall. Keep in mind, this is mostly my personal opinion, don't consider my post to be the most correct one, but I'll try my best to provide the best information for you as far as I can.

Introduction to PICKUP101

Here's a short lecture about how pickup works. A pickup is an electronic device that captures the sound of the string of a guitar. It's generally an inductor: a certain length of wire being wrapped into a coil with a magnet on the center of the wrap(imagine a roll-type sushi :p). It has electro-magnetic properties that enables it to capture the string vibration(that also has electro-magnetic properties). When a string vibrates, it disturbs the electro-magnetic field property on the area and this disturbance is being carried by the pickup as a current to the entire signal chain until it ends on the amplifier or PA or whatever is the last destination of the signal path and turns that current into sound.

Pickup comes in different flavors
Just like an ice cream! In terms of coil size: single coil and dual coil(humbucker). In terms of output level: vintage or low, medium, high. In terms of form: the usual coil pickup and the not-so-usual acoustic piezo. In terms of external power requirement: passive and active. And so on, there goes the list.

In depth discussion of coil size
Let's start with the coil size explanation. Single coil pickup usually has a lower output compared to a humbucking pickup. It can create a more acoustic-like tone with some high end clarity that doesn't come out when you're using a humbucker pickup. However, you'll usually get a 60-cycle hum when you use a single coil pickup: that's why people created humbucker pickup. A humbucker pickup doesn't usually have that sparkly high end clarity and acoustic-like tone, but it has a very warm response and will generate a fatter tone compared to single coil.

A humbucker pickup will easily drive the amp faster compared to a single coil pickup because of its relatively high output. A single coil will clean up saturated amp better compared to a humbucker due to low output. A humbucker pickup will easily get muddy because of it's extra warmness, a single coil pickup will easily get harsh on the highs due to its high treble power.

Output level mythbuster: High Output vs Low Output
Now let's talk about how different pickup output levels function on different situations. A vintage(low) output pickup has less wiring turns, weaker magnet and of course weaker sound. A high output pickup has more wiring, stronger magnet and of course higher output that will drive an amp easier toward its saturation level.

Lots of people think that high output pickup is the best. That's not always the case by the way. A high output pickup is very prone of string pull that causes less sustain; it has more wire turns so it has more resistance thus creates muddiness; it has a very high output so you can never get a clean tone out of it without roll-backing the volume knob.

It seemed that high-gain pickup replacement is very popular nowadays with the increasing interest in metal and hard rock music. People with that interest will usually fall into the trick that higher output means better. Well, low output pickup can also do a good job or even sometimes better job at driving an amp into saturation with more definition and clarity although probably less gain compared to a high output pickup. This will help the lower output pickup to easily cut through the mix and sound better during a live performance or a gig.

However, low output pickup doesn't always mean the best. When a single coil pickup is plugged straight into a super clean amp, it definitely has more dynamics which means it follows how hard or how soft you pick the string. Although this is good for some type of music, this can cause some problem especially during recording because you get different output response for different string picking power. But that's easily solvable with a compressor unit; nonetheless, this only happens only when you play on a clean setting.

Active vs Passive pickups
Active pickup: requires battery or external power to operate....Arghh, this one is pretty tough to explain! There's no right or wrong here, an active pickup can bring lots of possibilities to achieve certain tonal range that's not reachable with a passive pickup. Some artists swear that they can get a better clean sound using an active pickup, some even swear that an active pickup help them get better and consistent high-gain sound.

But really, it all depends on how good is the pickup. A low quality active pickup will result in super muddy tone with very low sustain and too much gain. I don't have too much experience with an active pickup but basically even a good active pickup doesn't have the same dynamic that can be achieved through a passive pickup.

So if you need more consistencies rather than dynamics, I think active pickup is the only way to go. Get a good one and you'll deal less with muddiness and all the bad stuffs there. I personally still prefer a passive pickup because the type of music that I play requires wide range of dynamics.

Pickup positions
Let's say I have one pickup and I'm now deciding to put it either on the neck, middle or bridge position. If I put it on the neck, it'll have the highest output level, but with the highest amount of muddiness. Put it on the middle, it'll be bright and glassy; put it on the bridge, it'll be very bright but it'll lose a lot of output level.

That's why people recommend higher output pickup on the bridge and lower output pickup on the neck and middle. This theory is not always true, I mean you can always put pickups of different output level to whatever position you like, but with this kind of setup, you'll get a leveled output level from all position which is good for sound volume consistencies.

I personally like a single coil on the neck, you'll get the best tone ever with a little bit sacrifice on playability. I also like a full size humbucker on the bridge to level out the power of the neck pickup. I don't really care about the middle pickup but as long as I have a single coil in the middle pickup, I'll survive.

Go check out some good pickup manufacturers
Seymour Duncan, DiMarzio, Fender, EMG, Fishman, etc...I personally use lots of DiMarzio pickups, I'm also about to put a Seymour Duncan into one of my existing guitar. I'll post more stuffs once I got that Duncan into its place haha!

Cheers and God bless :)

Monday, July 25, 2011

MY MODDED PGM30



I own a 2004 Japanese PGM30WH with Edge Pro tremolo and Prestige neck that was given to me from my Dad sometime in 2006. It's been my main guitar for 5 years now and it's sort of becoming one with me, I can't imagine living with another guitar but this.

For those who doesn't know PGM: it's Paul Gilbert's signature Ibanez series. Paul Gilbert has been using Ibanez PGMs for a long time although recently he uses Ibanez Fireman more frequently. All PGMs have painted fake f-holes on the body and most of them are basswood body with maple or maple+rosewood neck. The body shape is very similar to Ibanez RG and most of them don't have tone knobs.

Originally, my PGM comes with Infinity INF pickups that have pretty high output, I don't know exactly but the bridge one I guess is in the range of 450mV judging from the sound. That is okay for quite some time when I'm still into heavy stuffs but once I started to play something with more dynamic, the pups don't do any good anymore.

I replaced the pickups with DiMarzio Cruiser Bridge on the neck and middle, I put DiMarzio AT-1 humbucker on the bridge and I accidentally removed the Ibanez logo on the headstock. I put humbucker pickup cover on the neck single coil just so that I don't miss having humbucker on the neck haha !

The DiMarzios are working very great, I got the exact Andy Timmons'(YES, him again) pups set and that helps me to get closer to his tone. I set the neck pup to be slightly lower from the strings and I raised the bridge humbucker a little bit so I get unbalanced volume level. This is kind of weird and people tend to set all pups to be at the same volume level, but I like it since I can get lower volume just by switching to the neck pup without having to press on any pedal or roll the volume knob.

By the way, I put a 300k ohms resistor in parallel with the cap on my volume pots and it helps the tone a little bit. One thing that I love mostly about this modded guitar is the fact that it doesn't have a tone knob which makes the guitar sounds much better (Paul Gilbert is a genius !). I compared this with a fellow RG with the same Wizard II neck and equipped with the same INF pups before I modded mine with DiMarzios and this thing sounds much better, more fat, more clear tops, more dynamics, more volume as well.

The bridge is actually an original Edge Pro tremolo by Ibanez(I can't find a picture of a pgm with that trem on the internet, sorry) and that bridge totally rocks ! Well, I actually hate the fact that it's a locking trem since I can't do crazy tunings, but it stays in tune forever and the little metal where the string hits on the trem is actually very good for the sustain. I used extra light gauge (.008 extra slinky) for this guitar and it still sounds great.

The neck is a little bit thicker than your usual RG necks. Anyway, if you're a tone chaser, you'll already know that thicker neck means thicker tone. It's still very playable although you don't really have a good comfort when playing chord since the thickness of the neck isn't balanced with a rounder neck shape.

This thing has been abused many times; I broke my trem arm once, I almost lost the neck pickup, I carried it on my car trunk without hard case, I bring it out to a gig during rainy day without gig bag or anything; yet this guitar's doesn't get any issue besides few minor very-hard-to-see scratches from my jazz III pick during strumming sessions. Oh, I replaced the switch once BTW, it broke due to too much pickup switching that I did haha !

I won't sell this guitar for sure, this thing is already my part of the body. This guitar also hinders me from buying new guitar since this one sets the standard of tone and playability pretty high. This is not a relic Strat '68 with special neck joint plate, this is not a '57 Les Paul with gold top finish and original PAF pickups and this doesn't worth as much as them. If this guitar is available in the market, it would cost probably less than $1000.00 for a new one with the exact same specs.

I didn't find any flaw on this guitar except that the white paint slowly turns to yellow-ish white. I don't really care though, it still looks neat and it still sounds great, those are what matter the most. If this guitar died, I would probably get an RG with Edge Pro trem and put the same mods that I've done to that RG. I would even probably throw away the tone knob for better tone.

I'll post some sound clip of this guitar soon :)

Hope you enjoy, cheers and God bless !