Hello everyone, I am going to share some sound clips of my newly installed pickups on my Strat. I hope you will enjoy these clips and make good use of them. Some notes first: the Virtual Vintage Heavy Blues 2 does scream in high gain pretty well but I didn't have time to capture it. I'll try to get the recording next time.
On the other hand, Air Zone definitely sounds fantastic! It doesn't sound similar to any other DiMarzio humbuckers I've tried, this is very unique. It's not a total screamer, it doesn't make your sound muddy, it has definition and good pick attack. I really like it, it's very versatile.
The combination of the VVHB2 and the standard TexMex is very amazing! I can get a very funky clean tone out of the combination and it really works very well!
Here are the clips:
VVHB2: Clean wet, Jazz comping, Dirty
VVHB2+TexMex: Funk
TexMex+AirZone: Funk
AirZone: Clean, Dirty
Hope you enjoy!
Cheers and God Bless :)
Friday, January 6, 2012
DIMARZIO VIRTUAL VINTAGE HEAVY BLUES 2, AIR ZONE AND TEXMEX
Labels:
air,
andy timmons,
clean,
clip,
dimarzio,
dirty,
funk,
guthrie govan,
heavy blues,
humbucker,
sound,
vintage,
virtual,
wet,
zone
Wednesday, January 4, 2012
IDEALISTIC APPROACH OF BEING A "GOOD" GUITAR PLAYER
This post isn't going to be a review. Instead, I'm going to share with you something that I had in mind for some time that can hopefully expand the horizon of your guitar playing and tone chasing. It's about becoming a better guitarist. What's been driving me to write this post is actually the fact that in the last few days, I've been searching for a way to keep me motivated as a guitar player.
First of all, let's look at some of the top guitarists in the planet. They all have some things in common regardless of their genre. One of them is the willingness to learn; to be humble. They are willing to learn from other guitarists that inspires them and apply that knowledge into their playing. Take Paul Gilbert for example: he's considered a monster in the world of fast guitar playing, but to acknowledge the work of Johnny Cash in the realm of country guitar playing and applying it to his song writing techniques is just very humble and heart-warming; the result shows best during his live performances when he's able to balance between hard and soft songs.
John Petrucci also improved his technique by simply learning from other guitarists that had been playing with him together during G3 concerts. He's so used to alternate picking, he doesn't even consider putting bits of legatos in his playing; but by learning from other guitarists and acknowledging their great work really put Petrucci on the extra mile of his already amazing techniques.
Secondly, most of them are willing to learn many genres although they are known only for particular genres. Take Eric Johnson for example, he's known for his instrumental Rock and Blues but he can go far with some cool Jazz comping, Latin, Swings and Bossa Nova. Guthrie Govan perhaps is one of a few guitarists that can master many different extreme techniques ranging from shredding speed guitar to groovy funk rhythm playing. That kind of multi-genre thing really helps many guitarists to enhance their tone palette too! They will not just stuck with one boring overdrive sound; instead, they will investigate how to achieve many different and interesting sound for different types of moods.
Other thing is their view about their gears. This is a bit hard to apply for us because some of us are limited both financially and/or availability of gears. Andy Timmons really knows the details of his gear, he knows exactly every pedal, every tube in his amps, every cable, every speakers, everything! This really helps him to shape his unique tone that influence him to play in certain way that goes into his liking. On the other hand, some guitarists such as Mike Stern don't really go crazy with expensive gears but they rely on simple setups that are handy, don't require massive maintenance and produce consistent tones during concert.
More importantly, the main point that I want to say ultimately is try to rotate your concentration on different stuffs. Don't just concentrate on tone alone, don't just concentrate on techniques forever, don't just concentrate on gear all the time; try to circle between different stuffs. That way, you will avoid getting bored and you will also develop a bigger picture of being an overall good guitarists. Many young players concentrate only on playing as fast as you can as precise as you can; that's good but that's boring, if players start to develop ear for good tone, they will start tweaking and probably learning different techniques that suit different tones and that is exactly what many young guitar starters need!
I've just recently started to explore good Jazz tone. It requires me to get out of my good overdrive tone and start exploring ways to replicate a semi hollow guitar tone. It's not just about the tone, I'm also trying to learn how to comp in a modern Jazz music and it's really hard for me considering how comfortable I am in the world of Rock music. But the result is starting to show slowly and it's very rewarding to see yourselves develop some new and inspiring tone and techniques.
I hope you all enjoy this post. Reviews aren't going to be as much as before, but I promise to keep the blog interesting! Come back often and enjoy your time here.
Cheers and God bless :)
First of all, let's look at some of the top guitarists in the planet. They all have some things in common regardless of their genre. One of them is the willingness to learn; to be humble. They are willing to learn from other guitarists that inspires them and apply that knowledge into their playing. Take Paul Gilbert for example: he's considered a monster in the world of fast guitar playing, but to acknowledge the work of Johnny Cash in the realm of country guitar playing and applying it to his song writing techniques is just very humble and heart-warming; the result shows best during his live performances when he's able to balance between hard and soft songs.
John Petrucci also improved his technique by simply learning from other guitarists that had been playing with him together during G3 concerts. He's so used to alternate picking, he doesn't even consider putting bits of legatos in his playing; but by learning from other guitarists and acknowledging their great work really put Petrucci on the extra mile of his already amazing techniques.
Secondly, most of them are willing to learn many genres although they are known only for particular genres. Take Eric Johnson for example, he's known for his instrumental Rock and Blues but he can go far with some cool Jazz comping, Latin, Swings and Bossa Nova. Guthrie Govan perhaps is one of a few guitarists that can master many different extreme techniques ranging from shredding speed guitar to groovy funk rhythm playing. That kind of multi-genre thing really helps many guitarists to enhance their tone palette too! They will not just stuck with one boring overdrive sound; instead, they will investigate how to achieve many different and interesting sound for different types of moods.
Other thing is their view about their gears. This is a bit hard to apply for us because some of us are limited both financially and/or availability of gears. Andy Timmons really knows the details of his gear, he knows exactly every pedal, every tube in his amps, every cable, every speakers, everything! This really helps him to shape his unique tone that influence him to play in certain way that goes into his liking. On the other hand, some guitarists such as Mike Stern don't really go crazy with expensive gears but they rely on simple setups that are handy, don't require massive maintenance and produce consistent tones during concert.
More importantly, the main point that I want to say ultimately is try to rotate your concentration on different stuffs. Don't just concentrate on tone alone, don't just concentrate on techniques forever, don't just concentrate on gear all the time; try to circle between different stuffs. That way, you will avoid getting bored and you will also develop a bigger picture of being an overall good guitarists. Many young players concentrate only on playing as fast as you can as precise as you can; that's good but that's boring, if players start to develop ear for good tone, they will start tweaking and probably learning different techniques that suit different tones and that is exactly what many young guitar starters need!
I've just recently started to explore good Jazz tone. It requires me to get out of my good overdrive tone and start exploring ways to replicate a semi hollow guitar tone. It's not just about the tone, I'm also trying to learn how to comp in a modern Jazz music and it's really hard for me considering how comfortable I am in the world of Rock music. But the result is starting to show slowly and it's very rewarding to see yourselves develop some new and inspiring tone and techniques.
I hope you all enjoy this post. Reviews aren't going to be as much as before, but I promise to keep the blog interesting! Come back often and enjoy your time here.
Cheers and God bless :)
MERRY CHRISTMAS AND HAPPY NEW YEAR
Sorry I haven't updated the blog for a while. I was busy packing and sorting things out before I'm going back to my country of origin. Here's some new updates:
I sold my 7 string Ibanez RG7321 with the DiMarzio and Seymour Duncan. It's a bit sad knowing that it's now being played by someone else. Nonetheless, the 7 string served very well in the last three years.
I put a DiMarzio Virtual Vintage Heavy Blues 2 on the neck of my Strat. It sounded great on Strat! I had it on my JEM JR(check out my older post about it) and the same pickup sounds different on different guitar. I guess I'm about to discover something interesting. Also I tried a DiMarzio Air Zone on the bridge of my Strat to replace the Diamondback humbucker that came standard with my fat Strat. It does the job very well, sounded very warm and balanced. It doesn't overpower the guitar too much but it gives enough punch to drive my tubes to my liking.
I'm also packing some of the pedals that I acquired and now my pedalboard looks empty haha!
Anyway, I'm wishing everybody good blessings in 2012! Keep in mind, in whatever you do, both musically and not musically, do it with heart and passion.
Last but not least, keep checking out this blog! More materials are coming while the old ones are also good food for thought!
Cheers and God bless :)
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