Showing posts with label vintage. Show all posts
Showing posts with label vintage. Show all posts

Friday, January 6, 2012

DIMARZIO VIRTUAL VINTAGE HEAVY BLUES 2, AIR ZONE AND TEXMEX

Hello everyone, I am going to share some sound clips of my newly installed pickups on my Strat. I hope you will enjoy these clips and make good use of them. Some notes first: the Virtual Vintage Heavy Blues 2 does scream in high gain pretty well but I didn't have time to capture it. I'll try to get the recording next time.

On the other hand, Air Zone definitely sounds fantastic! It doesn't sound similar to any other DiMarzio humbuckers I've tried, this is very unique. It's not a total screamer, it doesn't make your sound muddy, it has definition and good pick attack. I really like it, it's very versatile.

The combination of the VVHB2 and the standard TexMex is very amazing! I can get a very funky clean tone out of the combination and it really works very well!

Here are the clips:
VVHB2: Clean wet, Jazz comping, Dirty
VVHB2+TexMex: Funk
TexMex+AirZone: Funk
AirZone: Clean, Dirty

Hope you enjoy!
Cheers and God Bless :)

Tuesday, August 9, 2011

ALL ABOUT PICKUPS

Today I decided to talk about pickup. Yes, everything about pickup, especially on how they function overall. Keep in mind, this is mostly my personal opinion, don't consider my post to be the most correct one, but I'll try my best to provide the best information for you as far as I can.

Introduction to PICKUP101

Here's a short lecture about how pickup works. A pickup is an electronic device that captures the sound of the string of a guitar. It's generally an inductor: a certain length of wire being wrapped into a coil with a magnet on the center of the wrap(imagine a roll-type sushi :p). It has electro-magnetic properties that enables it to capture the string vibration(that also has electro-magnetic properties). When a string vibrates, it disturbs the electro-magnetic field property on the area and this disturbance is being carried by the pickup as a current to the entire signal chain until it ends on the amplifier or PA or whatever is the last destination of the signal path and turns that current into sound.

Pickup comes in different flavors
Just like an ice cream! In terms of coil size: single coil and dual coil(humbucker). In terms of output level: vintage or low, medium, high. In terms of form: the usual coil pickup and the not-so-usual acoustic piezo. In terms of external power requirement: passive and active. And so on, there goes the list.

In depth discussion of coil size
Let's start with the coil size explanation. Single coil pickup usually has a lower output compared to a humbucking pickup. It can create a more acoustic-like tone with some high end clarity that doesn't come out when you're using a humbucker pickup. However, you'll usually get a 60-cycle hum when you use a single coil pickup: that's why people created humbucker pickup. A humbucker pickup doesn't usually have that sparkly high end clarity and acoustic-like tone, but it has a very warm response and will generate a fatter tone compared to single coil.

A humbucker pickup will easily drive the amp faster compared to a single coil pickup because of its relatively high output. A single coil will clean up saturated amp better compared to a humbucker due to low output. A humbucker pickup will easily get muddy because of it's extra warmness, a single coil pickup will easily get harsh on the highs due to its high treble power.

Output level mythbuster: High Output vs Low Output
Now let's talk about how different pickup output levels function on different situations. A vintage(low) output pickup has less wiring turns, weaker magnet and of course weaker sound. A high output pickup has more wiring, stronger magnet and of course higher output that will drive an amp easier toward its saturation level.

Lots of people think that high output pickup is the best. That's not always the case by the way. A high output pickup is very prone of string pull that causes less sustain; it has more wire turns so it has more resistance thus creates muddiness; it has a very high output so you can never get a clean tone out of it without roll-backing the volume knob.

It seemed that high-gain pickup replacement is very popular nowadays with the increasing interest in metal and hard rock music. People with that interest will usually fall into the trick that higher output means better. Well, low output pickup can also do a good job or even sometimes better job at driving an amp into saturation with more definition and clarity although probably less gain compared to a high output pickup. This will help the lower output pickup to easily cut through the mix and sound better during a live performance or a gig.

However, low output pickup doesn't always mean the best. When a single coil pickup is plugged straight into a super clean amp, it definitely has more dynamics which means it follows how hard or how soft you pick the string. Although this is good for some type of music, this can cause some problem especially during recording because you get different output response for different string picking power. But that's easily solvable with a compressor unit; nonetheless, this only happens only when you play on a clean setting.

Active vs Passive pickups
Active pickup: requires battery or external power to operate....Arghh, this one is pretty tough to explain! There's no right or wrong here, an active pickup can bring lots of possibilities to achieve certain tonal range that's not reachable with a passive pickup. Some artists swear that they can get a better clean sound using an active pickup, some even swear that an active pickup help them get better and consistent high-gain sound.

But really, it all depends on how good is the pickup. A low quality active pickup will result in super muddy tone with very low sustain and too much gain. I don't have too much experience with an active pickup but basically even a good active pickup doesn't have the same dynamic that can be achieved through a passive pickup.

So if you need more consistencies rather than dynamics, I think active pickup is the only way to go. Get a good one and you'll deal less with muddiness and all the bad stuffs there. I personally still prefer a passive pickup because the type of music that I play requires wide range of dynamics.

Pickup positions
Let's say I have one pickup and I'm now deciding to put it either on the neck, middle or bridge position. If I put it on the neck, it'll have the highest output level, but with the highest amount of muddiness. Put it on the middle, it'll be bright and glassy; put it on the bridge, it'll be very bright but it'll lose a lot of output level.

That's why people recommend higher output pickup on the bridge and lower output pickup on the neck and middle. This theory is not always true, I mean you can always put pickups of different output level to whatever position you like, but with this kind of setup, you'll get a leveled output level from all position which is good for sound volume consistencies.

I personally like a single coil on the neck, you'll get the best tone ever with a little bit sacrifice on playability. I also like a full size humbucker on the bridge to level out the power of the neck pickup. I don't really care about the middle pickup but as long as I have a single coil in the middle pickup, I'll survive.

Go check out some good pickup manufacturers
Seymour Duncan, DiMarzio, Fender, EMG, Fishman, etc...I personally use lots of DiMarzio pickups, I'm also about to put a Seymour Duncan into one of my existing guitar. I'll post more stuffs once I got that Duncan into its place haha!

Cheers and God bless :)

Sunday, July 31, 2011

DIMARZIO VIRTUAL VINTAGE HEAVY BLUES 2 VERSUS CRUISER BRIDGE

Tonight I want to share a little bit about my experience with DiMarzio products! Hopefully this will help you to decide whether you want to change your pickups to DiMarzio or not. I'm going to review the Virtual Vintage Heavy Blues 2 and compare it with the Cruiser Bridge. Read on! :)

Virtual Vintage Heavy Blues
Let me start with the basic specification of the pickup

Output : 170mV(according to DiMarzio)
DC Resistance : 8.5 k ohm
Magnet : Alnico 2
4-conductor-based wiring
Tone : Treble 7.5, Mid 6.5, Bass 6.0(DiMarzio's website)

This single coil is very ideal to re-create that vintage hot-rodded Strat style tone. I prefer to use this one on the neck position and use a low to medium output humbucker to get a balanced volume level. It packs some mid punch; unlike a strat, this one is a bit hot and works well with distortion.

The high notes doesn't get too harsh, the low has some definition, and the mid kicks your notes nicely. I personally like this pickup for it's thickness(I'm using .008-.038 by the way, very THIN). You can easily nail hot-Strat tone from various artists using this pickup combined with slightly overdriven amp or clean amp with a little bit boost.

I don't find any flaw with this pickup except its strange wiring methods; the cable colors aren't the usual ones. It's not using a very strong magnet so it doesn't pull your string too much, you get more sustain for sure. I don't know what's your preference but trust me, weaker magnet is sometimes better :). BTW, you might think that more mid may increase muddiness: that's not happening here, this pickup is balanced properly EQ-wise.

Price starts from $70.00, you can get it from any famous music store(in U.S. of course). I got mine from a music store in Indonesia, though.

Cruiser Bridge Model
Output : 143mV(according to DiMarzio)
DC Resistance : 5.75 k ohm
Magnet : Ceramic
4-conductor-based wiring
Tone : Treble 8.0, Mid 4.5, Bass 5.5(DiMarzio's website)

Andy Timmons uses this pickup on his guitars and he uses it pretty often on the neck position. I put this one on my PGM and I can easily nail Timmons' tone using this pickup. The sound that I'm getting out of this pickup is a natural Strat sound that doesn't get too harsh with the treble but still retains its glassy tone. It doesn't emphasize your picking too much(is that good or bad?) but I personally like it because it doesn't get too bright on the scratch notes unlike traditional Strat pickups.

Works well with distortion, good for combination with other single coils or a full sized low-medium output humbucker. I combined mine with AT-1 humbucker which basically has similar qualities with Seymour Duncan JB. I set my humbucker high and the Cruiser very low and I can get volume reduction when switching to the Cruiser on the neck. Very versatile!

Nothing I dislike about this pickup. It does have a low output(although higher than strat) but it doesn't get thin. It doesn't boost your midrange; this one is a more of a traditional single coil that everyone will surely love.

Price: starts from around $70.00, you can get it anywhere in U.S. for sure.

Which one is better?
Cruiser is definitely more traditional with some enhancement on the chord definition and power. It pushes your amp harder compared to regular single coil pickup of a Strat. VVHB2 has more midrange and for sure it will give you fatter tone compared to Cruiser; it's easier to drive your amp with the VVHB2 too! People who prefer something with standard features will enjoy Cruiser; someone who wants to get more thickness and overdrive-friendly pup will like the VVHB2.

I personally prefer the Cruiser for its versatility and basic tone but I find that the VVHB2 allows me to cover more hot-Strat-based tone; the VVHB2 is also more aggressive and shred-friendly. So really, the choice is yours! Do you like something basic or do you want a little bit of an extra punch? Anyway, thank you to DiMarzio for making such great pickups, they really earned my respect :D

Cheers and God bless :)

p.s. 4 more days until I'm able to post audio clips :D...the final part of the "Guitar Artists with Great Tones" will be available shortly, I hope that you enjoy the previous parts of the post. Feel free to share any part of this blog with the rest of the world :D

Sunday, July 24, 2011

IBANEZ AIRPLANE FLANGER AF2

Pablo Gilberto
I am a big fan of Paul Gilbert's work and been checking out his guitar setup and try to incorporate his ideas into my setup. This pedal just came out by the time I checked his youtube video explaining what it does, and of course it was still pricey back then so I just kind of let it slipped away from me. But I got blessed with so many caring friends around me and they bought me this pedal for me as a birthday present(thank you guys :) ).

Two buttons?
Yes, two buttons, one for on/off true bypass switch and one for mode selection. This cool pedal has two modes: taxi and take off. Taxiing, you can get normal flanger sound that I will explain below; take off-ing, you will get a super crazy self oscillation mode with just speed knob to control the speed.

Organic flanger pedal
On the Taxi mode, let me say that this thing is not your average flanger pedal. This thing packs a lot of organic quality; the flanger timing is a little bit random to a certain degree and while it colors your tone, it still let the majority of your signal to be noticed transparently. The knobs have broad range of controls so you can make the pedal acts as transparent as possible with almost chorus-like quality to the most heavy tone-coloration you can possibly get.

My personal setup is to have all the knobs at the very minimum to aim for that chorus-like sound that I really like. Personally, I am not really a flanger guy like Paul Gilbert, I don't really have the skill to tame the non-precise timed flanger sound but this pedal really makes things become interesting without making me struggle.

4 knobs with strange names
Manual is for controlling the delay time, Speed is for controlling the speed of course, Range is for controlling the frequency range of the flanger and Enhance is for controlling the amount of coloration.

Cabin crew take off position
The Take Off mode really sets your pedal to generate crazy auto whammy sound that will never stop. It will just go up and down like a police siren with some degree of original signal replication. I can hardly hear my original tone AND note when I'm in Take Off mode. You can get down and play with the speed knob to get even crazier slow-fast-up-down self-oscillating skull-cracking auto whammy.

It's a flanger, how often do you use it?
If it's normal flanger, I don't even want to have one, I tried one many times before but it's not my type of FX. But this one? I can turn it on on every channel: clean, dirty, lead, whatever channel and I can have that shimmery effect that enhance the 3D-ness of my signal and add some organic quality to my tone. I don't turn it on all the time though because some songs requires simpler more straight forward type of sound, but when I want something cool, this pedal is always on.

Value for its price
A true bypass pedal with a unique sound and organic quality, this pedal is worth the money. I think now the price is not as expensive as before and you can get it for less than $150.00 for sure. This is not too pricey for something this good, and considering that this is a signature pedal, this thing is probably a steal for that price :p.

Like it so far
I find this pedal is almost flawless.....except that it's BIG. May or may not cause any space related problem to your pedalboard. Powered with 9V standard adapter, does not accept battery power.

From 0 to 10
10. Period.

Normal sound clip: HERE, it contains three different settings: first no effect, second with chorus-ey flanger, third with more straight forward flanger.

Takeoff sound clip: HERE, it contains original overdriven sound with the takeoff mode in the middle, you'll know it from how it sounds!

Cheers and God bless :D

p.s. check out Silence Followed by A Deafening Roar album by Paul Gilbert to hear this pedal in action during Take Off mode. Paul also used the Take Off mode during live gig when performing an older Mr. Big song called Alive and Kickin'.

Saturday, July 23, 2011

ANALOGMAN OD-9/808 WITH SILVER MOD

I bought this pedal from Analogman's website and it's one of the best version of Tube Screamer in the market I must say. Maxon is the original company that designed TS for Ibanez. They now produce their own TS9 that is quite different from the original TS from '70s Ibanez era.

Are you serious? Another Tube Screamer?
YES. In fact, this is one of the best version of Tube Screamer available. This OD9 is using JRC4558 chip that IS EXACTLY THE SAME as the original TS808/TS9 that many players put on their pedal board: Eric Johnson, Andy Timmons(YES, him again), Stevie Ray Vaughan....

So yes, this is another Tube Screamer.....BUT
The one that I purchased from Analogman features Silver Mod. That was basically capacitors and components upgrades to increase clarity and warmth a little bit. It also add more sustain to the overall sound. And this Maxon version is already True Bypass. Sound-wise, it does not have high amount of gain to be honest, even when I tried to crank this thing up all the way, it does not saturate too much. This is great as a clean boost and that amount of gain can be used to replicate the tone of a vintage tube amp that is pushed right after it starts to saturate.

This might means it's not for heavy stuffs, but it add pleasant touches to your tone. I got earlier Andy Timmons' famous Electric Gypsy tone by using this pedal on a clean channel.

I'm sorry though, I haven't got a chance to review this with any other Tube Screamers on the market. I tried an Ibanez TS9, but that thing cuts the bass a little bit, so I prefer this box rather than the original Ibanez version.

Wow that sounds great, but was it worth?
I forgot how much I spent but I think it was around $200.00 since I opted for the Silver Mod. This is so much more expensive compared to any other Tube Screamer on the market. I would love to compare this as a modded pedal with other modded TS from Keeley or everyone else. I know that Keeley TS has been used by many people including John Petrucci and that must says something. Unfortunately, Petrucci does use it in an already saturated amp so I don't know how it originally sounds.

It sounds good though, so I think it is still worth every penny.

Other thoughts?
I plugged mine before an AMT SS-11 Preamp that I use as a tube amp replication box since I am not allowed to play with tube amp in my apartment *sad*. It sounds very bluesy overall as a gain box. If you have not ever try any Tube Screamer pedal or even know what a TS is, this thing is an instant Stevie Ray Vaughan replicator if you have a strat style guitar with bright single coils. Very effective to add smoothness to your already saturated amp, you can set it to be your "lead switch" and step on it when you begin your solo.

How I set it up personally
Drive around 12 to 2pm, Tone around 4pm(YES, this is what a TS is famous for!), and as usual Level depends on your entire rig, I set mine around 10am.

Sounds almost perfect! Anything missing?
It lacks bass frequencies. I guess that's the nature of any Tube Screamers we all can find in this world. But hey, this thing sounded great already and you can reduce the Tone knob a bit to get a little of that bass back but sacrifice the famous tone everyone loves :D. This might not be true, I mean how can reducing treble adds the bass if we talk about circuitry, but if you add more Level while reducing the Tone, this will help to achieve that effect.

From 0 to 10
I will give this fantastic box an 8.9! Price is the main factor. The lack of bass does not really bother me that much since this is already warmer than most TSes in the market.

So what bothers you?
The switch. It's so hard to step on it even if it's angled. It's not your regular small circular switch, it's almost similar to a Boss style switch but smaller and placed in the middle with not too much height difference compared to the enclosure around it. However, note that the usual TS9 has the same switch, so I can't really complain.

Check it out : www.analogman.com

Cheers and God bless !

p.s stay tuned for audio clips for this post and my previous BB Preamp :) Will be around sometime in August

Wednesday, August 18, 2010

The Beginning of Guitar Tone Chasing

Please enjoy my review of gears on this blog. Hopefully I can bring unbiased review so that we can share knowledge and spread the good stuffs around.

I am mostly going to review guitar FX pedals. However, I will also review other stuffs such as pups, strings, picks or even some guitars that I have tried.

Thanks for checking this page guys