Thursday, July 26, 2012

BOSS DIGITAL DELAY DD-3

UPDATED, WITH SOUND CLIPS
Behold, one of the most popular Digital Delay Pedal you've ever come across, it's the Boss Digital Delay DD-3. It's one of the most used digital delay pedal on the world. Popular artists such as Eric Johnson, Joe Satriani, Steve Vai, and many others use this pedal to get that crystal clear delay sound with no added anything. This pedal does not belong to me but I'm going to have it on my pedalboard for some time.

Digital vs Analog
As we all know, there's a significant difference between a digital delay and analog delay. Apart from the circuitry, the tone between the two delays is quite different. Analog delay is known for its lush, warm, wobbly, saturated lo-fi repeats that sometimes resemble an old tape echo delay. On the other hand, digital delay provides clean, pristine clear, hi-fi repeats that really aims for simply clearer repeats. Both have totally different feeling although they can be used on same situation. I still prefer analog delay for its wobbly-ness but this DD-3 provides an extra range that can further enhance your sonic projection.

What's so special about it?
You can read all the technical details on the website, I'm not going to include them in here. Anyway, there are many ways to use this delay pedal; it's quite flexible, unlike my analog delay pedals. Paul Gilbert used to store some lick in it and call it down using the "Hold" mode, while Eric Johnson replaces his Echoplex tape echo with this pedal just to simply get that 300-500ms repeats. Some people set the delay time very short and get that slap-back reverb-kind-of repeats; some others set the time very long and get that glorious long delay lead tone which everyone loves to hear. Very versatile indeed!!

Anything bad?
It's not true bypass if that's your main concern, but it doesn't suck too much bypass tone so if you only have one of these on your pedalboard, you should be fine. When engaged, your real tone will get darken a little bit; while this will make your guitar sound fatter, actually some people hate it because their high end got lost and they cannot get that clicky pick attack sound when this pedal is engaged. Other concern includes automatic turn on every time I power it up using my One Spot 9V pedal power. I never tried the using it with battery so I can't tell you if there's any battery concern.

Is it worth the price?
This one comes at around $110.00, quite expensive but sounds pretty good. I say it's worth it and I may even say this one is a "must-have" on your pedalboard.

From 0 to 10?
I can say 10, but remember to try it first and see if it matches your tone. A great pedal to experiment with.

CLICK HERE FOR SOUND CLIP. I hope you enjoy this post, cheers and God bless :)

Wednesday, July 25, 2012

MESA BOOGIE TRANSATLANTIC TA 30

Hello everyone, today I want to talk about Mesa Boogie Transatlantic TA-30. A little background, Mesa Boogie is very known for its very high quality high end guitar and bass amplifiers and cabinets. Some of its successful amplifiers are now being used by high profile artists such as John Petrucci, Mark Tremonti, Andy Timmons and many others. 

The history of Mesa Boogie starts way back from around early '70s when Randall Smith started his job as a repairing technician for guitar amplifiers. He modified amps that was available during that time by "hot-roding" the amp with an extra tube on the preamp section of the amp to achieve a high gain sound that was not easily available during that time. Since then, he started building his very own guitar and bass amps that come in different tones, output power and size.

Transatlantic TA-30
Mesa Boogie is very well known for its reputation on making high gain amp, but those people working there want to show the world that they can also make amps that can do some great stuffs on lower gain settings; this is the main purpose of TA-30. This amp does so many great clean and break up tones, but you can always crank it up to get that mid gain tone out of this amp. This amp is also on the portable side of amplifiers, means that the head version of this amp is pretty small and light enough for you to easily carry it on any gig.

Technical Detail
I have the head version, it features 4xEL84 tubes, 6x12AX7 tubes, a special output transformer, Effects Loop, Reverb circuits for both channels, independent EQ for different channels, independent Reverb and FX Loop setting on different channels, independent output power level on different channels and some push-pull knobs. The EQ settings are consisted of Bass and Treble without any option to adjust the Mid.

You have two channels:
Channel Green, you can choose between "Normal" clean tone and a British sort of like Vox AC "Top Boost". When cranked up, the Clean tone will deliver an almost break up tone but still on the clean side while the Top Boost tone will start to get saturated. This channel EQ includes a Cut knob to remove some high end sizzle; the knob can be pulled and it starts to act as a Master Volume with pre-fixed amount of "cut".

Channel Red, you can choose between "Tweed" for American Fender clean tone, "Hi 1" for British mid gain tone, and "Hi 2" for Mesa's signature mid gain tone. When cranked up, Tweed will give you an almost break up tone with just a hint of dirt. Hi 1 will deliver Marshall-like mid gain tone when cranked up with enough sustain but not very saturated. Hi 2 will sizzle when cranked up and it will sound pretty good when you do lead stuffs.

All the channels have individual tone control as well as power selection of 15, 30 and 40 Watt. The 15 and 30 Watt power level will give you class A tube tone at different volume and headroom level. The 40 Watt power level will deliver class AB "Dyna-watt" tube tone with extra juice that can enhance your playability and tone.

My opinion
It's a super great amp!!! I personally like the clean channel on Normal mode with some added treble. With the help of its built-in Reverb, you can get so many great classic clean tone that can cover many ground of music styles. I also like the Hi 2 mode on the Red Channel and I usually roll down the treble to get that fat warm tone; I add my BB Preamp in front of the already cranked amp to push it harder and make it sound like a mid/high gain amp that doesn't fuzz too much and still retain the integrity of the original tone. 

You can add any pedal in front of it or on the Effects Loop if you need to use the FX Loop. It works well with all of my overdrive pedal and it projects the delays from my delay pedal nicely. I use a Mesa Mini Recto Cab as my cabinet and it works well especially on Hi 1 mode. 

Is it worth the price?
Nothing bad to say except its sky-rocket-high price. But I say it's worth it, the overall quality of the amp is very good and it's very well built. My personal experience with this amp has been very great, it delivers what it says on the brochure and on the internet.

From 0 to 10
10. Maybe even higher than 10, this is really one of the best amp I've ever tried.

Here's some sound clips. I used my PGM30 with DiMarzio AT-1 and Cruiser Bridge. I record the sound from the amp using Radial JDX Amp DI.

I hope you enjoy this post. Cheers and God Bless :)

Stay tuned for more reviews :)

Thursday, July 19, 2012

FENDER STRATOCASTER, BEGINNER GUIDE

Hello readers, sorry for the lack of update, these past months were quite hectic for me but I'm happy with my new job. Today I want to share a bit about the difference between Stratocasters that Fender makes. There are thousands of version of Fender Stratocaster that are available in the market. Although all Stratocasters share the same physical characteristics, their "inner-organs" are different and that's what I want to share in this post. The goal that I want to achieve is to make anyone who is totally unfamiliar to Fender and doesn't know anything about Stratocaster can get an idea about all those Stratocasters.

History 101
Let me share a little bit history of Stratocaster. Stratocaster guitar is basically a follow up from one of Fender's most successful guitar which is no doubt the Telecaster(also called Broadcaster, Nocaster and Esquire; depending on the pickups/headstock). First built in 1954, it was designed to appeal many guitar player from different genres with three pickups configuration(Tele only has two pickups), futuristic dual cutaway body, and of course the Tremolo/Vibrato bridge that's better than current tremolo bridges on the market. The first Stratocasters features Alder/Ash body with Maple neck and usually comes with single sheet  celluloid plastic pickguard.

On late '50s, Fender changed the pickguard from one ply plastic to three ply celluloid plastic pickguard. They also added the 3-tone sunburst color. On 1962, they added the rosewood fingerboard on top of the maple neck to make it look more clean and to make trust rod insertion easier; 1962 is one of the golden era for Stratocasters because by that time, Fender had reached its peak of build quality as well as tone and feel. By the mid-end of '60s, CBS company bought Fender and the quality of all Fender guitars started to climb down. On 1985, Fender was bought back from CBS and start producing good quality guitars again and thus the Stratocaster got its "dignity" back and is still in production until today.

Tips: mark the important years: 1954, late '50s, 1962, mid-end of '60s, 1985.

Different Type of Stratocasters Available on the Market
After a little bit of history, here's the list of Stratocasters that you can find on the market:

1. MEXICAN STRATOCASTER (MIM)

a. Standard Stratocasters - This particular Stratocaster is made in Mexico. It's the cheapest Fender Stratocaster that you can get(if you want to go cheaper, you have to get a Squier). The guitar comes at around US$500. It features low quality Ceramic pickups that doesn't sound really good to be honest. Most of the new Standard Strat comes with late '50s/early '60s visual characteristics such as three ply plastic pickguard, maple/rosewood fingerboard and vintage tremolo bridge. It features a CBS style logo on small headstock.

b. Deluxe Stratocasters -  Made in Mexico as well but they feature better pickups(noiseless or Alnico, depending on the model) and sometimes a unique switching system for extra tone out of the pickups. They are pricier compared to the Standard Stratocaster, but they can give some features that even sometimes American Standard Strats don't have.

Other than those two models, you can also get Classic Player '50s and '60s, Factory Special Run, Black Top, Road Worn and some other models. They come with $600-900 price tag. Some Artist Series are also produced in Mexico.

Buying Standard Stratocaster will allow you to upgrade the parts and still pay cheaper than American Stratocasters. Deluxe Stratocaster will give you the upgraded parts already so you don't have to upgrade. But be careful, you have to try the guitar first before you are going to buy it. Mexican Stratocaster isn't too consistent, sometimes you'll get something which sounds so amazing but the other day you might get a total piece of junk sounding guitar. Mexican Stratocaster also doesn't age and turn yellowish due to its polyester finish (this doesn't affect the tone as long as it's applied thinly to the Stratocaster which is the case with Mexican Stratocaster).

2. JAPANESE STRATOCASTER (MIJ)
This particular Stratocaster is very unique due to its extreme consistency on its build quality. MIJ Strats are offered in many different models such as '57 Reissue, '62 Reissue, Standard and Deluxe. They are now only available in Japan but you can still find some used one from late '80s and early '90s when import guitars were plentiful.

MIJ Stratocasters usually offer a very neat finishing, wiring, as well as tone. They don't come with good sounding pickups, but once you put better pickups in it, MIJ Strats will usually transform into super nice sounding guitars. They come from as low as $600 to as expensive as $1200. Buy the used one will give you cheaper price

3. AMERICAN STRATOCASTER (MIA)
a. Special - The cheapest among the MIA Strats, come with '70s style large headstock and logo, super nice alnico pickups as well as vintage style tremolo and modern shaped neck and frets. They don't come with flight case. The current pickups for MIA Special Stratocaster are Texas Special pickups, they have a bit more power compared to regular Stratocaster pickup, which is good for playing blues and getting break-up sound. The new model also has the Greasebucket Tone Circuit which will remove unwanted extra bass when you roll down the tone knob.

b. Standard - Comes with two point tremolo that is very smooth but still with vintage stamped saddles that everyone loves. They come with flight case and the current model has the Fat '50s pickups that sound very good. Most of MIA Standard Strats can sound very good during live situation and they have the best build quality in my opinion. It also features better tremolo block that improve the tone significantly as well as thinner coat for improved resonance.

c. Deluxe - Comes with modern style two point tremolo and deluxe saddles. They have the unique switching for extra tones from your pickups, as well as noiseless pickups that don't produce 60 cycle hum. They also come with locking tuner for tuning stability, compound radius(super comfortable neck), contoured heel for easier upper register access, as well as V-neck option. This is the most expensive non Custom Shop and non Artist Stratocaster you can get.

Other than the three above, you can also get American Vintage Reissue '57 and '62, Artist Series, Select Series, Vintage Hot Rod and Custom Shop American Stratocasters. They come with $1200 to $2000++ price tags

MIM/MIJ VS MIA
American Stratocasters are the priciest compared to the other two because of its exceptional built quality and features that are not available on other Stratocasters. This caused a debate that has been going for some time whether is it really worth the price or if it's just a gimmick. I honestly don't know but owning both MIM and MIA Stratocasters, I can tell that they are quite different and not necessarily better from one another.

I say American Stratocaster is worth the extra price because of the different feel of the neck as well as the overall built quality of the body and electronics. The tremolo bridge has better metal block that causes the notes to sustain longer and to resonate across the whole body. While this is good for rock, blues and pop, this is not so good when you're playing staccato based songs such as some funk songs. 

My MIM and MIJ Stratocaster come with standard bridge that has standard metal block and they are finished with polyester. It has some sustain but not as long as my MIA Strat, so they shine the most when I play funk songs. My MIM Stratocaster can produce some heavy spank when engaged at 2nd and 4th pickup position. My MIJ Stratocaster can also produce that but due to its basswood body, it tends to gravitate toward warmer bell-like tone. My MIA Stratocaster comes with humbucker and while it produce some bright tone and spank, it doesn't do staccato note easily(you have to do extra work with muting the strings) but it cuts through the mix easier and produces some great heavy overdrive tones. So they are all good for different situation.

So here's my conclusion: If you want to buy a Stratocaster, it doesn't matter if it's made in Mexico, Japan or USA, but as long as you tried the guitar first and hear how it reacts toward different playing styles. American Stratocaster will have better feel and quality but it may not have better tone if you don't try it first. Mexican Strat may feel a bit stiffer but it may produce some amazing clean tone. FIRST, decide the features that you need from the guitar and decide your budget; SECOND, try that particular model of the guitar that you want; THIRD, compare it with other guitars of same models and try to compare it with some other models on same budget level and see if the other guitar of same or different models sound better; FOURTH, make the decision to buy.

Don't get overwhelmed with so many types of Stratocasters, all that matters is that it sounds good to your ears. Cheers and God Bless :)