Showing posts with label comparison. Show all posts
Showing posts with label comparison. Show all posts

Thursday, July 19, 2012

FENDER STRATOCASTER, BEGINNER GUIDE

Hello readers, sorry for the lack of update, these past months were quite hectic for me but I'm happy with my new job. Today I want to share a bit about the difference between Stratocasters that Fender makes. There are thousands of version of Fender Stratocaster that are available in the market. Although all Stratocasters share the same physical characteristics, their "inner-organs" are different and that's what I want to share in this post. The goal that I want to achieve is to make anyone who is totally unfamiliar to Fender and doesn't know anything about Stratocaster can get an idea about all those Stratocasters.

History 101
Let me share a little bit history of Stratocaster. Stratocaster guitar is basically a follow up from one of Fender's most successful guitar which is no doubt the Telecaster(also called Broadcaster, Nocaster and Esquire; depending on the pickups/headstock). First built in 1954, it was designed to appeal many guitar player from different genres with three pickups configuration(Tele only has two pickups), futuristic dual cutaway body, and of course the Tremolo/Vibrato bridge that's better than current tremolo bridges on the market. The first Stratocasters features Alder/Ash body with Maple neck and usually comes with single sheet  celluloid plastic pickguard.

On late '50s, Fender changed the pickguard from one ply plastic to three ply celluloid plastic pickguard. They also added the 3-tone sunburst color. On 1962, they added the rosewood fingerboard on top of the maple neck to make it look more clean and to make trust rod insertion easier; 1962 is one of the golden era for Stratocasters because by that time, Fender had reached its peak of build quality as well as tone and feel. By the mid-end of '60s, CBS company bought Fender and the quality of all Fender guitars started to climb down. On 1985, Fender was bought back from CBS and start producing good quality guitars again and thus the Stratocaster got its "dignity" back and is still in production until today.

Tips: mark the important years: 1954, late '50s, 1962, mid-end of '60s, 1985.

Different Type of Stratocasters Available on the Market
After a little bit of history, here's the list of Stratocasters that you can find on the market:

1. MEXICAN STRATOCASTER (MIM)

a. Standard Stratocasters - This particular Stratocaster is made in Mexico. It's the cheapest Fender Stratocaster that you can get(if you want to go cheaper, you have to get a Squier). The guitar comes at around US$500. It features low quality Ceramic pickups that doesn't sound really good to be honest. Most of the new Standard Strat comes with late '50s/early '60s visual characteristics such as three ply plastic pickguard, maple/rosewood fingerboard and vintage tremolo bridge. It features a CBS style logo on small headstock.

b. Deluxe Stratocasters -  Made in Mexico as well but they feature better pickups(noiseless or Alnico, depending on the model) and sometimes a unique switching system for extra tone out of the pickups. They are pricier compared to the Standard Stratocaster, but they can give some features that even sometimes American Standard Strats don't have.

Other than those two models, you can also get Classic Player '50s and '60s, Factory Special Run, Black Top, Road Worn and some other models. They come with $600-900 price tag. Some Artist Series are also produced in Mexico.

Buying Standard Stratocaster will allow you to upgrade the parts and still pay cheaper than American Stratocasters. Deluxe Stratocaster will give you the upgraded parts already so you don't have to upgrade. But be careful, you have to try the guitar first before you are going to buy it. Mexican Stratocaster isn't too consistent, sometimes you'll get something which sounds so amazing but the other day you might get a total piece of junk sounding guitar. Mexican Stratocaster also doesn't age and turn yellowish due to its polyester finish (this doesn't affect the tone as long as it's applied thinly to the Stratocaster which is the case with Mexican Stratocaster).

2. JAPANESE STRATOCASTER (MIJ)
This particular Stratocaster is very unique due to its extreme consistency on its build quality. MIJ Strats are offered in many different models such as '57 Reissue, '62 Reissue, Standard and Deluxe. They are now only available in Japan but you can still find some used one from late '80s and early '90s when import guitars were plentiful.

MIJ Stratocasters usually offer a very neat finishing, wiring, as well as tone. They don't come with good sounding pickups, but once you put better pickups in it, MIJ Strats will usually transform into super nice sounding guitars. They come from as low as $600 to as expensive as $1200. Buy the used one will give you cheaper price

3. AMERICAN STRATOCASTER (MIA)
a. Special - The cheapest among the MIA Strats, come with '70s style large headstock and logo, super nice alnico pickups as well as vintage style tremolo and modern shaped neck and frets. They don't come with flight case. The current pickups for MIA Special Stratocaster are Texas Special pickups, they have a bit more power compared to regular Stratocaster pickup, which is good for playing blues and getting break-up sound. The new model also has the Greasebucket Tone Circuit which will remove unwanted extra bass when you roll down the tone knob.

b. Standard - Comes with two point tremolo that is very smooth but still with vintage stamped saddles that everyone loves. They come with flight case and the current model has the Fat '50s pickups that sound very good. Most of MIA Standard Strats can sound very good during live situation and they have the best build quality in my opinion. It also features better tremolo block that improve the tone significantly as well as thinner coat for improved resonance.

c. Deluxe - Comes with modern style two point tremolo and deluxe saddles. They have the unique switching for extra tones from your pickups, as well as noiseless pickups that don't produce 60 cycle hum. They also come with locking tuner for tuning stability, compound radius(super comfortable neck), contoured heel for easier upper register access, as well as V-neck option. This is the most expensive non Custom Shop and non Artist Stratocaster you can get.

Other than the three above, you can also get American Vintage Reissue '57 and '62, Artist Series, Select Series, Vintage Hot Rod and Custom Shop American Stratocasters. They come with $1200 to $2000++ price tags

MIM/MIJ VS MIA
American Stratocasters are the priciest compared to the other two because of its exceptional built quality and features that are not available on other Stratocasters. This caused a debate that has been going for some time whether is it really worth the price or if it's just a gimmick. I honestly don't know but owning both MIM and MIA Stratocasters, I can tell that they are quite different and not necessarily better from one another.

I say American Stratocaster is worth the extra price because of the different feel of the neck as well as the overall built quality of the body and electronics. The tremolo bridge has better metal block that causes the notes to sustain longer and to resonate across the whole body. While this is good for rock, blues and pop, this is not so good when you're playing staccato based songs such as some funk songs. 

My MIM and MIJ Stratocaster come with standard bridge that has standard metal block and they are finished with polyester. It has some sustain but not as long as my MIA Strat, so they shine the most when I play funk songs. My MIM Stratocaster can produce some heavy spank when engaged at 2nd and 4th pickup position. My MIJ Stratocaster can also produce that but due to its basswood body, it tends to gravitate toward warmer bell-like tone. My MIA Stratocaster comes with humbucker and while it produce some bright tone and spank, it doesn't do staccato note easily(you have to do extra work with muting the strings) but it cuts through the mix easier and produces some great heavy overdrive tones. So they are all good for different situation.

So here's my conclusion: If you want to buy a Stratocaster, it doesn't matter if it's made in Mexico, Japan or USA, but as long as you tried the guitar first and hear how it reacts toward different playing styles. American Stratocaster will have better feel and quality but it may not have better tone if you don't try it first. Mexican Strat may feel a bit stiffer but it may produce some amazing clean tone. FIRST, decide the features that you need from the guitar and decide your budget; SECOND, try that particular model of the guitar that you want; THIRD, compare it with other guitars of same models and try to compare it with some other models on same budget level and see if the other guitar of same or different models sound better; FOURTH, make the decision to buy.

Don't get overwhelmed with so many types of Stratocasters, all that matters is that it sounds good to your ears. Cheers and God Bless :)



Tuesday, October 18, 2011

JEM 7VWH

This JEM does not belong to me, I'm actually quite honored to have what used to be one of my dream guitar sitting in my house. It belongs to a friend of mine, Anthony Woen.

The look
I got a chance to analyze this JEM both in terms of sound and look. It's just gorgeous; its gold hardware, Edge Pro locking trem, vine tree inlay, jumbo frets, gotoh tuner, DiMarzio Evolutions and its monkey grip are just awesome!

The feel
It's the ancestor of the current Ibanez RG model, so naturally it has that oversized horns on its body just like my PGM and every other RG based guitars. The neck is just awesome! It's thin, meaning that it will help you run across the neck easily. Doesn't feel to good when you try to play chords here, a bit more thickness should help. It's thinner than my already flat PGM Prestige neck. I don't need to speak about the locking trem, it's just totally awesome, the same exact trem as what I have on my PGM.

Weight isn't too bad. It's an alder body guitar, it's supposed to be a bit heavier compared to a basswood guitar, but it isn't; in fact it is lighter than my PGM!

The sound
DiMarzio Evolution on the neck, middle and bridge. They're fantastic for modern hi-gain sound! The alder body and rosewood combination adds more tonal color to the overall sound. The JEM supposed to sound pretty bright due to the alder body but in fact it isn't that bright. It sounded pretty good on distortion pedals and tube pre-amp! Overtone harmonics are appearing on some spots in the neck, it has a strong punch in the mid-high mid area. Definitely a shredder's guitar! Either the neck and the bridge delivers punch and clarity. Roll back the volume and I get that sweet spot break-up sound.

On the clean channel, the neck pickup sounded like an SG. Very good for jazz runs, lots of fat tone that's good for chording as well. Combine the neck and the middle and I got a pretty subtle sounding clean signal, good for funk and general strumming. I didn't really use the middle pickup but mid+bridge gives me another good funk-type sound with some added treble. I don't really use the bridge pickup on the clean channel.

Sustain is pretty good. It doesn't hold as long as my PGM, but it does hold longer than every Strats that I've touched.

What it lacks
Nothing! This guitar is in fact one of the most versatile guitar on this planet. It does everything. However, not everyone will enjoy this guitar. The pickups are a bit too hot for me and I always prefer a single coil in the neck. Nonetheless, it's my preference; this guitar will surely blow you away if you're a Steve Vai fans or just someone looking for a HSH super strat.

The verdict
I compared this gorgeous JEM side by side with my PGM, and I recorded some tunes with both guitar on same settings just so you can hear the difference between how the JEM and the PGM sound. All clips started with my PGM first, and then the JEM later.

Clean signal: CLICK HERE
Chorus added: CLICK HERE
Screamer and delay: CLICK HERE
Fat crunch rhythm: CLICK HERE

I hope you enjoy this post.
Cheers and God bless ! :)

Sunday, July 31, 2011

DIMARZIO VIRTUAL VINTAGE HEAVY BLUES 2 VERSUS CRUISER BRIDGE

Tonight I want to share a little bit about my experience with DiMarzio products! Hopefully this will help you to decide whether you want to change your pickups to DiMarzio or not. I'm going to review the Virtual Vintage Heavy Blues 2 and compare it with the Cruiser Bridge. Read on! :)

Virtual Vintage Heavy Blues
Let me start with the basic specification of the pickup

Output : 170mV(according to DiMarzio)
DC Resistance : 8.5 k ohm
Magnet : Alnico 2
4-conductor-based wiring
Tone : Treble 7.5, Mid 6.5, Bass 6.0(DiMarzio's website)

This single coil is very ideal to re-create that vintage hot-rodded Strat style tone. I prefer to use this one on the neck position and use a low to medium output humbucker to get a balanced volume level. It packs some mid punch; unlike a strat, this one is a bit hot and works well with distortion.

The high notes doesn't get too harsh, the low has some definition, and the mid kicks your notes nicely. I personally like this pickup for it's thickness(I'm using .008-.038 by the way, very THIN). You can easily nail hot-Strat tone from various artists using this pickup combined with slightly overdriven amp or clean amp with a little bit boost.

I don't find any flaw with this pickup except its strange wiring methods; the cable colors aren't the usual ones. It's not using a very strong magnet so it doesn't pull your string too much, you get more sustain for sure. I don't know what's your preference but trust me, weaker magnet is sometimes better :). BTW, you might think that more mid may increase muddiness: that's not happening here, this pickup is balanced properly EQ-wise.

Price starts from $70.00, you can get it from any famous music store(in U.S. of course). I got mine from a music store in Indonesia, though.

Cruiser Bridge Model
Output : 143mV(according to DiMarzio)
DC Resistance : 5.75 k ohm
Magnet : Ceramic
4-conductor-based wiring
Tone : Treble 8.0, Mid 4.5, Bass 5.5(DiMarzio's website)

Andy Timmons uses this pickup on his guitars and he uses it pretty often on the neck position. I put this one on my PGM and I can easily nail Timmons' tone using this pickup. The sound that I'm getting out of this pickup is a natural Strat sound that doesn't get too harsh with the treble but still retains its glassy tone. It doesn't emphasize your picking too much(is that good or bad?) but I personally like it because it doesn't get too bright on the scratch notes unlike traditional Strat pickups.

Works well with distortion, good for combination with other single coils or a full sized low-medium output humbucker. I combined mine with AT-1 humbucker which basically has similar qualities with Seymour Duncan JB. I set my humbucker high and the Cruiser very low and I can get volume reduction when switching to the Cruiser on the neck. Very versatile!

Nothing I dislike about this pickup. It does have a low output(although higher than strat) but it doesn't get thin. It doesn't boost your midrange; this one is a more of a traditional single coil that everyone will surely love.

Price: starts from around $70.00, you can get it anywhere in U.S. for sure.

Which one is better?
Cruiser is definitely more traditional with some enhancement on the chord definition and power. It pushes your amp harder compared to regular single coil pickup of a Strat. VVHB2 has more midrange and for sure it will give you fatter tone compared to Cruiser; it's easier to drive your amp with the VVHB2 too! People who prefer something with standard features will enjoy Cruiser; someone who wants to get more thickness and overdrive-friendly pup will like the VVHB2.

I personally prefer the Cruiser for its versatility and basic tone but I find that the VVHB2 allows me to cover more hot-Strat-based tone; the VVHB2 is also more aggressive and shred-friendly. So really, the choice is yours! Do you like something basic or do you want a little bit of an extra punch? Anyway, thank you to DiMarzio for making such great pickups, they really earned my respect :D

Cheers and God bless :)

p.s. 4 more days until I'm able to post audio clips :D...the final part of the "Guitar Artists with Great Tones" will be available shortly, I hope that you enjoy the previous parts of the post. Feel free to share any part of this blog with the rest of the world :D