Showing posts with label stratocaster. Show all posts
Showing posts with label stratocaster. Show all posts

Tuesday, November 4, 2014

What Happens When I Combined Guitar with Electronic Music

Hello everyone, I just made a new song. Basically I experimented with mixing and blending traditional rock instrumental guitar music with electronic music. This is the result:



I was trying to explore new genres of music such as electronica, trance, dance and dubstep. While they are all definitely cool sounding music, I always felt that a little bit of rock guitar melody could enhance those music a little bit. Hence, my latest project was born.

In case you are wondering about the equipment that I used, I utilized my MIM Standard Stratocaster with a combination of BB Preamp and Radial Tonebone Hot British straight to the Mesa TA-30 to the Radial JDX to my USB Interface. Then I added essential plugins such as reverb, delay, compressor and EQ in the Reaper DAW.

For drum, I still use Hydrogen and I find it quite difficult for me to switch to other drum machine because it just feels very natural to me to create beat patterns. I also experimented with some plugins such as Valhalla Shimmer as the ambient reverb for some tracks, Up Stereo to enhance stereo and loudness, TAL Noise Maker to generate some weird synth sounds, and Aquestone to create that weird sounding vocal emulation.

There you go, my little experiment in the electronic music side of the world :) I hope you enjoy my music. Don't forget to subscribe at my Youtube. Cheers and God bless :)


Thursday, June 5, 2014

New Bandcamp Site, New Song

Hi everyone!

I'm now available at Bandcamp. Now you can download my original song for free, just go to garywiryawan.bandcamp.com and from there just enter 0 dollar to download my song.

I am going to upload as many song as possible, and then compile them into an album. Most of the songs will obviously be instrumental as I don't have a singer and I am only a one man band.

Please check out my Bandcamp site, if you are gracious enough, please follow me too on Bandcamp and other sites. Thanks for listening to my music!


Here's the new song that I wrote, please enjoy:

Thursday, October 18, 2012

RECORDING SOME STUFF

Hello people, I'm glad to announce that I will come up with something before Christmas this year. It's an amateur recording of popular Christmas songs that I cover using many different genres that are mainly guitar driven. It's gonna be an instrumental album and the title is going to be called "LAGU KRESMES". I will post more detail soon. It's gonna feature my Stratocasters and my new Ibanez AK95DVS.



Anyway, many of you might be wondering about my recording setup at home so I will explain how I do recording in my home. For the software, I use AUDACITY, it's a free recording software that you can download. It has tons of great features such as EQ, Noise Removal, Panning, Time Shift, Split Stereo, Leveller, Compressor, etc.

For the hardware, I am using a cheap but good USB Mixer called Yamaha MW10C. It's connected directly to the USB of my PC. It has 10 channels with adjustable knobs such as level, treble, mid, bass, compression, pan, gain, etc. I don't use studio monitor, but I got a free JBL standard PC speakers that I use to listen to the recorded tracks. It does its job properly so I don't use professional studio monitor.

To record my guitar tracks, I use a Radial JDX direct amplifier box that's plugged in between my Mesa Transatlantic TA-30 and my Mesa Mini Recto Cab. It's not totally transparent but I'm able to EQ the tone to get it as similar as possible to the real sound that I'm getting from the cab using the Yamaha MW mixer's EQ knobs.

The bass tracks are coming from my Ibanez BTB775 bass that's plugged into my Line 6 POD X3. The keyboard tracks are from my Yamaha PSR keyboard plugged into my POD X3 as well. The drum tracks also come from the Yamaha keyboard. I can't afford buying real drum set at this time, I have to save some money first.

That's all for now, stay tuned for some audio clips, and thanks for checking this blog out, today we hit 12000 views! Cheers and God bless :)

Thursday, July 19, 2012

FENDER STRATOCASTER, BEGINNER GUIDE

Hello readers, sorry for the lack of update, these past months were quite hectic for me but I'm happy with my new job. Today I want to share a bit about the difference between Stratocasters that Fender makes. There are thousands of version of Fender Stratocaster that are available in the market. Although all Stratocasters share the same physical characteristics, their "inner-organs" are different and that's what I want to share in this post. The goal that I want to achieve is to make anyone who is totally unfamiliar to Fender and doesn't know anything about Stratocaster can get an idea about all those Stratocasters.

History 101
Let me share a little bit history of Stratocaster. Stratocaster guitar is basically a follow up from one of Fender's most successful guitar which is no doubt the Telecaster(also called Broadcaster, Nocaster and Esquire; depending on the pickups/headstock). First built in 1954, it was designed to appeal many guitar player from different genres with three pickups configuration(Tele only has two pickups), futuristic dual cutaway body, and of course the Tremolo/Vibrato bridge that's better than current tremolo bridges on the market. The first Stratocasters features Alder/Ash body with Maple neck and usually comes with single sheet  celluloid plastic pickguard.

On late '50s, Fender changed the pickguard from one ply plastic to three ply celluloid plastic pickguard. They also added the 3-tone sunburst color. On 1962, they added the rosewood fingerboard on top of the maple neck to make it look more clean and to make trust rod insertion easier; 1962 is one of the golden era for Stratocasters because by that time, Fender had reached its peak of build quality as well as tone and feel. By the mid-end of '60s, CBS company bought Fender and the quality of all Fender guitars started to climb down. On 1985, Fender was bought back from CBS and start producing good quality guitars again and thus the Stratocaster got its "dignity" back and is still in production until today.

Tips: mark the important years: 1954, late '50s, 1962, mid-end of '60s, 1985.

Different Type of Stratocasters Available on the Market
After a little bit of history, here's the list of Stratocasters that you can find on the market:

1. MEXICAN STRATOCASTER (MIM)

a. Standard Stratocasters - This particular Stratocaster is made in Mexico. It's the cheapest Fender Stratocaster that you can get(if you want to go cheaper, you have to get a Squier). The guitar comes at around US$500. It features low quality Ceramic pickups that doesn't sound really good to be honest. Most of the new Standard Strat comes with late '50s/early '60s visual characteristics such as three ply plastic pickguard, maple/rosewood fingerboard and vintage tremolo bridge. It features a CBS style logo on small headstock.

b. Deluxe Stratocasters -  Made in Mexico as well but they feature better pickups(noiseless or Alnico, depending on the model) and sometimes a unique switching system for extra tone out of the pickups. They are pricier compared to the Standard Stratocaster, but they can give some features that even sometimes American Standard Strats don't have.

Other than those two models, you can also get Classic Player '50s and '60s, Factory Special Run, Black Top, Road Worn and some other models. They come with $600-900 price tag. Some Artist Series are also produced in Mexico.

Buying Standard Stratocaster will allow you to upgrade the parts and still pay cheaper than American Stratocasters. Deluxe Stratocaster will give you the upgraded parts already so you don't have to upgrade. But be careful, you have to try the guitar first before you are going to buy it. Mexican Stratocaster isn't too consistent, sometimes you'll get something which sounds so amazing but the other day you might get a total piece of junk sounding guitar. Mexican Stratocaster also doesn't age and turn yellowish due to its polyester finish (this doesn't affect the tone as long as it's applied thinly to the Stratocaster which is the case with Mexican Stratocaster).

2. JAPANESE STRATOCASTER (MIJ)
This particular Stratocaster is very unique due to its extreme consistency on its build quality. MIJ Strats are offered in many different models such as '57 Reissue, '62 Reissue, Standard and Deluxe. They are now only available in Japan but you can still find some used one from late '80s and early '90s when import guitars were plentiful.

MIJ Stratocasters usually offer a very neat finishing, wiring, as well as tone. They don't come with good sounding pickups, but once you put better pickups in it, MIJ Strats will usually transform into super nice sounding guitars. They come from as low as $600 to as expensive as $1200. Buy the used one will give you cheaper price

3. AMERICAN STRATOCASTER (MIA)
a. Special - The cheapest among the MIA Strats, come with '70s style large headstock and logo, super nice alnico pickups as well as vintage style tremolo and modern shaped neck and frets. They don't come with flight case. The current pickups for MIA Special Stratocaster are Texas Special pickups, they have a bit more power compared to regular Stratocaster pickup, which is good for playing blues and getting break-up sound. The new model also has the Greasebucket Tone Circuit which will remove unwanted extra bass when you roll down the tone knob.

b. Standard - Comes with two point tremolo that is very smooth but still with vintage stamped saddles that everyone loves. They come with flight case and the current model has the Fat '50s pickups that sound very good. Most of MIA Standard Strats can sound very good during live situation and they have the best build quality in my opinion. It also features better tremolo block that improve the tone significantly as well as thinner coat for improved resonance.

c. Deluxe - Comes with modern style two point tremolo and deluxe saddles. They have the unique switching for extra tones from your pickups, as well as noiseless pickups that don't produce 60 cycle hum. They also come with locking tuner for tuning stability, compound radius(super comfortable neck), contoured heel for easier upper register access, as well as V-neck option. This is the most expensive non Custom Shop and non Artist Stratocaster you can get.

Other than the three above, you can also get American Vintage Reissue '57 and '62, Artist Series, Select Series, Vintage Hot Rod and Custom Shop American Stratocasters. They come with $1200 to $2000++ price tags

MIM/MIJ VS MIA
American Stratocasters are the priciest compared to the other two because of its exceptional built quality and features that are not available on other Stratocasters. This caused a debate that has been going for some time whether is it really worth the price or if it's just a gimmick. I honestly don't know but owning both MIM and MIA Stratocasters, I can tell that they are quite different and not necessarily better from one another.

I say American Stratocaster is worth the extra price because of the different feel of the neck as well as the overall built quality of the body and electronics. The tremolo bridge has better metal block that causes the notes to sustain longer and to resonate across the whole body. While this is good for rock, blues and pop, this is not so good when you're playing staccato based songs such as some funk songs. 

My MIM and MIJ Stratocaster come with standard bridge that has standard metal block and they are finished with polyester. It has some sustain but not as long as my MIA Strat, so they shine the most when I play funk songs. My MIM Stratocaster can produce some heavy spank when engaged at 2nd and 4th pickup position. My MIJ Stratocaster can also produce that but due to its basswood body, it tends to gravitate toward warmer bell-like tone. My MIA Stratocaster comes with humbucker and while it produce some bright tone and spank, it doesn't do staccato note easily(you have to do extra work with muting the strings) but it cuts through the mix easier and produces some great heavy overdrive tones. So they are all good for different situation.

So here's my conclusion: If you want to buy a Stratocaster, it doesn't matter if it's made in Mexico, Japan or USA, but as long as you tried the guitar first and hear how it reacts toward different playing styles. American Stratocaster will have better feel and quality but it may not have better tone if you don't try it first. Mexican Strat may feel a bit stiffer but it may produce some amazing clean tone. FIRST, decide the features that you need from the guitar and decide your budget; SECOND, try that particular model of the guitar that you want; THIRD, compare it with other guitars of same models and try to compare it with some other models on same budget level and see if the other guitar of same or different models sound better; FOURTH, make the decision to buy.

Don't get overwhelmed with so many types of Stratocasters, all that matters is that it sounds good to your ears. Cheers and God Bless :)



Thursday, May 17, 2012

MIJ JAPANESE FENDER STRATOCASTER ST62-US

Hello everyone, I've been very fortunate to acquire this new guitar made in Japan. It's called Fender Stratocaster ST62-US which is basically a Reissue of Fender Stratocaster 1962. I'm very blessed to be able to acquire this guitar since it's considered a hidden jewel. MIJ Stratocasters are known for their fantastic built quality and consistency and sometimes can rival US version of the same type of guitar.

Spec
The body was made of basswood(cheap wood to be honest, but resonates very good and considered as one of the best tonewood). The color is 3 tone sunburst with white pickguard. The pickups are called US Vintage pickups according to Fender Japan. Neck is maple with very high gloss and rosewood fingerboard with small radius and vintage sized frets. It comes with vintage 6 screws tremolo and vintage style tuner. No trust rod adjustment on the headstock; the adjustment can be made from the heel of the neck on the pickguard. No skunk stripe on the back of the neck too. It's made to the spec of a '62 Stratocaster except for the body material; a true '62 Strat will have alder for the body instead of basswood.

Sound
AMAZING! It resonates acoustically stronger than most of my guitars. The tone when it's plugged into an amp is also nice. Good clean tones come instantly without too much tweak. The pickups are very weak so I adjust them closer to the string just a little bit. Overdrive tones are not as strong as my other guitars but I like to keep it that way. The basswood body adds extra mid to the overall tone while the rosewood fingerboard definitely keeps the presence and brightness from being drowned by the basswood body.

The neck and bridge pickup definitely sounds very vintage; they are called US Vintage Pickups according to Fender Japan website. Try to play some Hendrix tune with this guitar and you'll get the idea. The bridge has a bigger block compared to my MIM Stratocaster and it helps a bit with the sustain.

Any cons?
Basswood body is considered cheap by many people, but it's actually considered as a good tone wood. Pickups are a bit weak but they sound very vintage, so if you don't like weak output pickups, better upgrade the pickups with something stronger. However, the pickups are made of alnico, and they are definitely better than ceramic pickups on the MIM but maybe not as good as American Standard alnico pickups.

Made In Japan
MIJ guitars have the reputation of beating MIA guitars in terms of consistencies and built quality. MIJ are very consistent, the people who make them are doing their job neatly and carefully. US made guitars sometimes suffer from inconsistencies in terms of overall quality. For the same type of guitar, you can sometimes get a very good guitar but sometimes not.

Is this guitar for me?
If you love Stratocaster, MIJ is a must have. One guy from a forum told me that this guitar beats the Custom Shop version of '62 Reissue, so I'm quite happy to know that the quality of this MIJ guitar will hold for a long time. If you're not a Strat guy, definitely worth to check out. Stratocasters are very nice guitars and they define the American tone from a very long time. Especially with this MIJ, you'll get the best value guitar that will beat some of more expensive guitars on US market.

Price?
68000 Yen or around US$860. Quite expensive, but this will beat US Vintage Reissue and Custom Shop '62 Reissue.

From 0 to 10
11.

Hope you like this post. I'll post some sound clips soon.
Cheers and God Bless :)

Thursday, April 19, 2012

FENDER MIM STANDARD STRATOCASTER

Hello everyone, I finally acquired a Fender Standard Stratocaster made in Mexico. I originally hesitated on buying a MIM Stratocaster because of the polyester finish, but this guitar really blows me away. First of all, being a Fender, it shows an excellent craftsmanship and high quality on every details. So for you who think that MIM Stratocaster is not worth your money, please re-consider MIM Stratocaster, this guitar surely worth every cents I spent.

Basic Spec

The guitar was made in early mid 2011. Color is black, with maple neck no fingerboard 21 frets. It uses the vintage 6 screws tremolo and it's pretty smooth and easy to use the vibrato arm(I'm a heavy whammy user). It comes with ceramic single coil pickups on a semi aged plastic pickguard and pickup cover. Tuners are already staggered, it comes with a single string tree.

The Feel
Maple neck isn't glossy, it has urethane finish and it's doing good to my hand. Not as fantastic as my MIA neck or Prestige PGM neck though, but definitely better than my JEM-JR Korean Wizard neck. The tremolo can't be used wildly, it goes out of tune very fast. I'm in a process of getting a set of locking tuners to improve tuning stability. The fret is somehow smaller than my MIA(not quite sure but it feels small) and it's a bit harder to play on compared to my MIA neck. The polyester body finish is very sleek. I'm strongly against polyester finish but luckily on this guitar, the paint is applied thinly to the body(I checked the trem springs cover screw hole).

Weight is very normal for a regular Stratocaster, it won't weight you down too much. I set the trem to float, and the action is already low from the factory so I didn't adjust anything, it feels perfectly right to my hand. The neck is thick and rounded as in regular C-shaped Stratocaster neck, and the frets are slightly rounded too for a more comfortable chord playing.

The Sound
The sound is very Fender-ish; clicky, percussive, bell tone on 2nd and 4th position, very bright and clean, sits well on an average mix. It lacks only one thing: sustain; this is what I feared the most from Stratocaster-type guitars. I immediately put DiMarzio Area 58, 67 and 61, rewired the tone knob for the bridge, and now I got a proper sounding Stratocaster with no hum and long sustain.

MIA(Made in America) vs MIM
This topic has been discussed since the existence of MIM Strat. MIM is really worth every cent you spend, it's not expensive and it sounds good too. If you plan to use the guitar frequently, MIM is really worth the money, it has all the "mojo" of Fender guitars. Now you probably ask: then why should I buy MIA Standard Strat? Because it's also worth every cent you spend. The craftsmanship of an MIA is way better than the MIM; let's say if MIM is extremely good, then MIA is perfectly perfect. When you first touch an MIA, you'll immediately feel that "wow" factor even before you know it's an MIA. The neck, the body contour, the finish and all the details are very perfect on MIA.

BUT, if your priority is tone, it's not possible to get a good sound out of MIM Standard Stratocaster. That will depend on how much are you willing to upgrade the pickups on the guitar to make it sound fantastic. MIA by itself already sounds great but if you dare to replace the pickups with a set of better sounding pickups, then you'll get a fantastic tone.

Let's say you'll use a same set of pickups for both MIA and MIM and you do a blindfold tone test, you'll notice only a tiny sound difference. Although MIA surely sounds better than MIM, it's not significant at all.

Overall
10 out of 10. Once again, Fender made a believer out of me. Good quality guitar, good price, great sound. I'm very happy with this guitar and I'll make some good music with it for sure.

I hope you enjoy this post. Cheers and God Bless :)

p.s. I'll soon post a review of my DiMarzio Area Pickup set, stay tune!

Monday, August 22, 2011

FENDER STRATOCASTER


Hi all! Sorry for the lack of update last week. I decided to review a Fender Stratocaster that belongs to my friend Anthony Woen.

To get started, I actually don't really know what kind of Fender Stratocaster is this. Might be Mexico, might be Japanese, might be American, might be something else. I couldn't find the serial number of the Strat :(

Well, it does look great, just like what a strat should look like. It does sound great too! This guitar really shines when I switched to the neck pickup. All the signature maple neck alder body sound came out nicely on this guitar. Bright, enough power to cut through the mix, excellent when paired with a clean amp or a mid-gain vintage style amp.

Plugged this guitar to my Tube Screamer on a clean channel and add some delays and reverb, roll back the volume knob a little bit and play some soft lead lick and it really shines pretty well. Get it dry with a touch of a compressor on the clean channel and play some funk rhythm, you'll get that strat-y sound we all want!



The single coils are pretty standard, nothing special. They are not noiseless so you'll get that 60-cycle hum when you add some gain. The pickup is pretty low output but when you get it pretty close to the strings, it'll start to get hotter. Not too close though, you'll distort your signal badly on a clean channel.
The only thing that bugs me is the fact that the previous owner re-wire the pups so that the mid tone pot becomes the volume pot for the mid pick up. Maybe he/she wanted to emulate a kill-switch by modifying the guitar that way.

I don't really know what kind of Strat is this. It sounds good though although there are some major things going on with the wiring and some other stuffs. The trem is definitely not the regular Strat trem. The decal is also a bit too large for a Strat's head stock. But really, those facts don't bother me too much because it sounds just nice!

Here are some sound clips:
Dry Tube Screamer: CLICK HERE
Clean delay: CLICK HERE
Crunch rhythm: CLICK HERE
Lead Tube Screamer with double delays and reverb: CLICK HERE

Here are some more pictures !




























Hope you guys enjoy this post!

Cheers and God bless :)

Monday, August 1, 2011

GUITAR ARTISTS WITH GREAT TONE PT.III

Finally, the last part of "Guitar Artists with Great Tone" post! Hopefully you already made some guesses on the artist that I will mention on this post.

I won't mention his name, but I'll mention some interesting facts about him.

He uses mainly Stratocasters.
He's from Austin, Texas.
He's 56 years old.
He had his own Signature Strat.
He uses Fender and Marshall amps mostly.

Any guesses? I'll give you some more hints:

He played an old ES-335 and Les Paul as well.
He suffered from a tone OCD.
He sometimes sings.

Is it clear now?

Anyway, our latest guitar artist with the greatest tone(in my opinion, of course) is
....(drum roll)....

Eric Johnson (applause)
In my opinion, he's the man with the tone and feel. He adapt his playing closely to his tone. He's surely not a shredder but his melody lines are pretty good and difficult to play.

He uses mainly his signature Fender Stratocaster which is based on early Stratocaster during the '50s and '60s. The newer signature Eric Johnson has rosewood fingerboard with modified pickups. His amps are Marshall Plexi 50/100W and Fender Twin Reverb. He's a very big fan of '70s Echoplex tape echo. He uses Tube Screamer and Dallas Arbiter Fuzz Face as well as Deluxe Memory Man.

He has three main sounds: clean rhythm, a bit dirty rhythm and a full lead tone. His clean sound is sometimes boosted with a Dyna Comp. It's the cleanest clean sound ever with a very rich harmonics with little bit of delay and chorus; it's based on Fender amp. His rhythm tone is a classic Stevie Ray Vaughan type of sound with the help of Fender amp combined with additional gain box such as TS, very glassy and bluesy and very good for chord works. His lead tone is based on Eric Clapton's Cream-era lead tone that comes mainly from an overdriven Marshall Plexi amp and sometimes together with the Fuzz Face.

This guy really shapes his playing to suit his tone. He has a very good chording technique with some hybrid picking involved. Also he is very good with arpeggiated lead notes. Most of the time he involves some jazz licks together with blues based scale. Very non-traditional playing with influences ranging from Hendrix to SRV.

He's famous for his "tone OCD". He tweaks his gears frequently just to get the right tone. His perception of tone is very high above the standard and that results in amazing smooth fat warm tone that is really the best in my opinion compared to any other guitar artists.

Definitely check out his classic "Ah Via Musicom" album and his newest recording "Up Close" and listen to some of his songs to experience the best guitar tone ever recorded. Not just the tone, the fingers are also great on those albums, some songs are hard to nail!!

I hope you enjoy this post as much as I do and I hope that you can gain some knowledge from these series of discussion post. I will come up with more discussion post along with more review of some cool vintage-y guitar gears :)

Cheers and God bless :)

Sunday, July 31, 2011

DIMARZIO VIRTUAL VINTAGE HEAVY BLUES 2 VERSUS CRUISER BRIDGE

Tonight I want to share a little bit about my experience with DiMarzio products! Hopefully this will help you to decide whether you want to change your pickups to DiMarzio or not. I'm going to review the Virtual Vintage Heavy Blues 2 and compare it with the Cruiser Bridge. Read on! :)

Virtual Vintage Heavy Blues
Let me start with the basic specification of the pickup

Output : 170mV(according to DiMarzio)
DC Resistance : 8.5 k ohm
Magnet : Alnico 2
4-conductor-based wiring
Tone : Treble 7.5, Mid 6.5, Bass 6.0(DiMarzio's website)

This single coil is very ideal to re-create that vintage hot-rodded Strat style tone. I prefer to use this one on the neck position and use a low to medium output humbucker to get a balanced volume level. It packs some mid punch; unlike a strat, this one is a bit hot and works well with distortion.

The high notes doesn't get too harsh, the low has some definition, and the mid kicks your notes nicely. I personally like this pickup for it's thickness(I'm using .008-.038 by the way, very THIN). You can easily nail hot-Strat tone from various artists using this pickup combined with slightly overdriven amp or clean amp with a little bit boost.

I don't find any flaw with this pickup except its strange wiring methods; the cable colors aren't the usual ones. It's not using a very strong magnet so it doesn't pull your string too much, you get more sustain for sure. I don't know what's your preference but trust me, weaker magnet is sometimes better :). BTW, you might think that more mid may increase muddiness: that's not happening here, this pickup is balanced properly EQ-wise.

Price starts from $70.00, you can get it from any famous music store(in U.S. of course). I got mine from a music store in Indonesia, though.

Cruiser Bridge Model
Output : 143mV(according to DiMarzio)
DC Resistance : 5.75 k ohm
Magnet : Ceramic
4-conductor-based wiring
Tone : Treble 8.0, Mid 4.5, Bass 5.5(DiMarzio's website)

Andy Timmons uses this pickup on his guitars and he uses it pretty often on the neck position. I put this one on my PGM and I can easily nail Timmons' tone using this pickup. The sound that I'm getting out of this pickup is a natural Strat sound that doesn't get too harsh with the treble but still retains its glassy tone. It doesn't emphasize your picking too much(is that good or bad?) but I personally like it because it doesn't get too bright on the scratch notes unlike traditional Strat pickups.

Works well with distortion, good for combination with other single coils or a full sized low-medium output humbucker. I combined mine with AT-1 humbucker which basically has similar qualities with Seymour Duncan JB. I set my humbucker high and the Cruiser very low and I can get volume reduction when switching to the Cruiser on the neck. Very versatile!

Nothing I dislike about this pickup. It does have a low output(although higher than strat) but it doesn't get thin. It doesn't boost your midrange; this one is a more of a traditional single coil that everyone will surely love.

Price: starts from around $70.00, you can get it anywhere in U.S. for sure.

Which one is better?
Cruiser is definitely more traditional with some enhancement on the chord definition and power. It pushes your amp harder compared to regular single coil pickup of a Strat. VVHB2 has more midrange and for sure it will give you fatter tone compared to Cruiser; it's easier to drive your amp with the VVHB2 too! People who prefer something with standard features will enjoy Cruiser; someone who wants to get more thickness and overdrive-friendly pup will like the VVHB2.

I personally prefer the Cruiser for its versatility and basic tone but I find that the VVHB2 allows me to cover more hot-Strat-based tone; the VVHB2 is also more aggressive and shred-friendly. So really, the choice is yours! Do you like something basic or do you want a little bit of an extra punch? Anyway, thank you to DiMarzio for making such great pickups, they really earned my respect :D

Cheers and God bless :)

p.s. 4 more days until I'm able to post audio clips :D...the final part of the "Guitar Artists with Great Tones" will be available shortly, I hope that you enjoy the previous parts of the post. Feel free to share any part of this blog with the rest of the world :D